Sanʼatdagi oqimlar
Sanʼatdagi oqim — umumiy badiiy gʻoyalar, munosabatlar va asarlarni koʻrsatadigan rassomlar yoki sanʼat asarlarining tendentsiyalaridir. Sanʼatdagi oqimlar muayyan davr va davrlarga xos tarzda yuzaga keladi. Ular faqat bir necha oy yoki oʻnlab yillar davom etishi ham mumkin. Badiiy harakat tushunchasi zamonaviy sanʼat kontseptsiyasi bilan bogʻliq boʻlib, u har bir keyingi yangi munosabatni sanʼat asarlarini yaratishda avangard sifatida xizmat qiladi.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Supremus_55_%28Malevich%2C_1916%29.jpg/220px-Supremus_55_%28Malevich%2C_1916%29.jpg)
Kontseptsiya zamonaviy sanʼatning paydo boʻlishi bilan qoʻllanila boshlangan boʻlsa-da, hozirgi zamongacha boʻlgan sanʼat davriga tegishli maʼlum harakatlarni aniqlash mumkin. Bunday hollarda kontseptual farqlash uchun uslub tushunchasidan foydalaniladi. Shunga koʻra, gotika, Uygʻonish va barokko uslublari mavjud boʻlsa, kubizm, syurrealizm va Brutolizm kabi oqimlari mavjud.[1]
XIX asr sanʼatidan namunalar
- Thomas Cole, The Course of Empire: The Savage State, 1836, Hudson River School
- Gustave Courbet, Stone-Breakers, 1849, Realist School
- Jean-Baptiste-Camille Corot, c. 1867, Ville d’Avray National Gallery of Art, Washington, D.C., Barbizon School[2]
- Edvard Munch, The Scream, early example of Expressionism
XX asr sanʼati
1900-1921- yillar
- Wassily Kandinsky, 1903, Der Blaue Reiter painting, Der Blaue Reiter 21.1 cm × 54.6 cm (8.3 in × 21.5 in)
- Kazimir Malevich, (Supremus No. 58), Museum of Art, 1916, Suprematism
- Marcel Duchamp, Fountain, 1917, photograph by Alfred Stieglitz, Dada
- Piet Mondrian, Tableau I, 1921, De Stijl
1920-1945 — yillar
- Theo van Doesburg, Composition XX, 1920, De Stijl
- Charles Demuth, I Saw the Figure 5 in Gold, 1928, Metropolitan Museum of Art, Precisionism
1965–2000 - yillar
- Art & Language, Untitled Painting (1965), Tate, Conceptual art
- Art & Language, Art-Language Vol.3 No.1 (1974), Château de Montsoreau-Museum of Contemporary Art, Conceptual art
- Tony Smith, She Who Must Be Obeyed, 1975, Tony Smith Department of Labour Building, Minimalism
- Dan Flavin, Untitled (Corner Piece), 1930, Tate Liverpool, Installation art