Для надійного письмового запису висот обертонів гармонічного ряду є особливий нотний приклад,[1]
Дотримання правопису, що дав Мерсен для розподілу октави на 12 недотонов,[2] [en] [3]
Harmonic Series in C
Нотація Шлезінгер, продовжена за правописом Мерсена до 32-го обертону з натякаючими на уточнення фіктами над нотами і подвійними номерами під нотами виглядає так:
піфагорійськими висотами [4] [5] [6] чистих квінт ,[7] θ {\displaystyle \theta } грец. Πυθ αγόρας ) відзначені піфагорійські ноти і стрілками ↙ ↗ {\displaystyle \swarrow \!\!\!\!\!\!\nearrow }
{ : : : : θ c 4 [ 32 1 ] ⋔ a 3 [ 27 1 ] θ g 3 [ 24 1 ] ↙ ↗ θ d 3 [ 18 1 ] θ c 3 [ 16 1 ] ↙ ↗ θ g 2 [ 12 1 ] ↙ ↗ θ d 2 [ 9 1 ] θ c 2 [ 8 1 ] θ g 1 [ 6 1 ] θ c 1 [ 4 1 ] θ g [ 3 1 ] θ c [ 2 1 ] Θ C [ 1 1 ] } ⊂ { : θ c 4 [ 32 1 ] θ ↘ − c 3 [ 31 1 ] θ ↘ − b 3 [ 30 1 ] + b e s 3 [ 29 1 ] ↖ θ ↘ − b e s 3 [ 28 1 ] ⋔ a 3 [ 27 1 ] ⋔ ↘ − a 3 [ 26 1 ] θ ↘ − g i s 3 [ 25 1 ] θ g 3 [ 24 1 ] + f i s 3 [ 23 1 ] ↖ θ + f 3 [ 22 1 ] ↖ θ ↘ − f 3 [ 21 1 ] θ ↘ − e 3 [ 20 1 ] + e s 3 [ 19 1 ] ↖ θ θ d 3 [ 18 1 ] θ ↘ − c i s 3 [ 17 1 ] θ c 3 [ 16 1 ] θ ↘ − b 2 [ 15 1 ] θ ↘ − b e s 2 [ 14 1 ] ⋔ ↘ − a 2 [ 13 1 ] θ g 2 [ 12 1 ] + f 2 [ 11 1 ] ↖ θ θ ↘ − e 2 [ 10 1 ] θ d 2 [ 9 1 ] θ c 2 [ 8 1 ] θ ↘ − b e s 1 [ 7 1 ] θ g 1 [ 6 1 ] θ ↘ − e 1 [ 5 1 ] θ c 1 [ 4 1 ] θ g [ 3 1 ] θ c [ 2 1 ] Θ C [ 1 1 ] } . {\displaystyle \left\{{\begin{matrix}:&&:&&:&&:\\\theta c^{4}[{\frac {32}{1}}]\\&&&&&&\pitchfork a^{3}[{\frac {27}{1}}]\\&&\theta g^{3}[{\frac {24}{1}}]&&&\swarrow \!\!\!\!\!\!\nearrow \\&&&&\theta d^{3}[{\frac {18}{1}}]\\\theta c^{3}[{\frac {16}{1}}]&&&\swarrow \!\!\!\!\!\!\nearrow \\&&\theta g^{2}[{\frac {12}{1}}]\\&\swarrow \!\!\!\!\!\!\nearrow &&&\theta d^{2}[{\frac {9}{1}}]\\\theta c^{2}[{\frac {8}{1}}]\\&&\theta g^{1}[{\frac {6}{1}}]\\\theta c^{1}[{\frac {4}{1}}]\\&&\theta g[{\frac {3}{1}}]\\\theta c[{\frac {2}{1}}]\\\Theta C[{\frac {1}{1}}]\end{matrix}}\right\}\subset \left\{{\begin{matrix}:\\\theta c^{4}[{\frac {32}{1}}]~~\theta \!\!\!\!\!\!\searrow _{-c^{3}[{\frac {31}{1}}]}\\\theta \!\!\!\!\!\!\searrow _{-b^{3}[{\frac {30}{1}}]}\\^{+bes^{3}[{\frac {29}{1}}]}\nwarrow \!\!\!\!\!\!\theta \!\!\!\!\!\!\searrow _{-bes^{3}[{\frac {28}{1}}]}\\\pitchfork a^{3}[{\frac {27}{1}}]~~\pitchfork \!\!\!\!\!\searrow _{-a^{3}[{\frac {26}{1}}]}\\\theta \!\!\!\!\!\!\searrow _{-gis^{3}[{\frac {25}{1}}]}\\\theta g^{3}[{\frac {24}{1}}]\\^{+fis^{3}[{\frac {23}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\^{+f^{3}[{\frac {22}{1}}]}\nwarrow \!\!\!\!\!\!\theta \!\!\!\!\!\!\searrow _{-f^{3}[{\frac {21}{1}}]}\\\theta \!\!\!\!\!\!\searrow _{-e^{3}[{\frac {20}{1}}]}\\^{+es^{3}[{\frac {19}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\\theta d^{3}[{\frac {18}{1}}]\\\theta \!\!\!\!\!\!\searrow _{-cis^{3}[{\frac {17}{1}}]}\\\theta c^{3}[{\frac {16}{1}}]\\\theta \!\!\!\!\!\!\searrow _{-b^{2}[{\frac {15}{1}}]}\\\theta \!\!\!\!\!\!\searrow _{-bes^{2}[{\frac {14}{1}}]}\\\pitchfork \!\!\!\!\!\searrow _{-a^{2}[{\frac {13}{1}}]}\\\theta g^{2}[{\frac {12}{1}}]\\^{+f^{2}[{\frac {11}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\\theta \!\!\!\!\!\!\searrow _{-e^{2}[{\frac {10}{1}}]}\\\theta d^{2}[{\frac {9}{1}}]\\\theta c^{2}[{\frac {8}{1}}]\\\theta \!\!\!\!\!\!\searrow _{-bes^{1}[{\frac {7}{1}}]}\\\theta g^{1}[{\frac {6}{1}}]\\\theta \!\!\!\!\!\!\searrow _{-e^{1}[{\frac {5}{1}}]}\\\theta c^{1}[{\frac {4}{1}}]\\\theta g[{\frac {3}{1}}]\\\theta c[{\frac {2}{1}}]\\\Theta C[{\frac {1}{1}}]\end{matrix}}\right\}.}
{ { . ⋅ θ ↘ − c 3 [ 31 1 ] + b e s 3 [ 29 1 ] ↖ θ θ ↘ − g i s 3 [ 25 1 ] + f i s 3 [ 23 1 ] ↖ θ + e s 3 [ 19 1 ] ↖ θ θ ↘ − c i s 3 [ 17 1 ] } ∪ ⋔ ↘ − a 2 [ 13 1 ] { . ⋅ θ c [ 2 1 ] ~ θ C [ 1 1 ] ~ } ≡ { . ⋅ ⋔ ↘ − a 3 [ 26 1 ] ⋔ ↘ − a 2 [ 13 1 ] } ∪ + f 2 [ 11 1 ] ↖ θ { . ⋅ θ c [ 2 1 ] ~ θ C [ 1 1 ] ~ } ≡ { . ⋅ + f 3 [ 22 1 ] ↖ θ + f 2 [ 11 1 ] ↖ θ } ∪ θ ↘ − b e s 1 [ 7 1 ] { . ⋅ θ c 1 [ 4 1 ] ~ θ g [ 3 1 ] ~ θ c [ 2 1 ] ~ θ C [ 1 1 ] ~ } ∪ θ ↘ − e 1 [ 5 1 ] { . ⋅ θ g 1 [ 6 1 ] ~ θ c 1 [ 4 1 ] ~ θ g [ 3 1 ] ~ θ c [ 2 1 ] ~ θ C [ 1 1 ] ~ } } = { : θ c 4 [ 32 1 ] θ ↘ − c 3 [ 31 1 ] θ ↘ − b 3 [ 30 1 ] + b e s 3 [ 29 1 ] ↖ θ ↘ − b e s 3 [ 28 1 ] ⋔ a 3 [ 27 1 ] ⋔ ↘ − a 3 [ 26 1 ] θ ↘ − g i s 3 [ 25 1 ] θ g 3 [ 24 1 ] + f i s 3 [ 23 1 ] ↖ θ + f 3 [ 22 1 ] ↖ θ ↘ − f 3 [ 21 1 ] θ ↘ − e 3 [ 20 1 ] + e s 3 [ 19 1 ] ↖ θ θ d 3 [ 18 1 ] θ ↘ − c i s 3 [ 17 1 ] θ c 3 [ 16 1 ] θ ↘ − b 2 [ 15 1 ] θ ↘ − b e s 2 [ 14 1 ] ⋔ ↘ − a 2 [ 13 1 ] θ g 2 [ 12 1 ] + f 2 [ 11 1 ] ↖ θ θ ↘ − e 2 [ 10 1 ] θ d 2 [ 9 1 ] θ c 2 [ 8 1 ] θ ↘ − b e s 1 [ 7 1 ] θ g 1 [ 6 1 ] θ ↘ − e 1 [ 5 1 ] θ c 1 [ 4 1 ] θ g [ 3 1 ] θ c [ 2 1 ] Θ C [ 1 1 ] } ∖ { : θ c 4 [ 32 1 ] ⋔ a 3 [ 27 1 ] θ g 3 [ 24 1 ] θ d 3 [ 18 1 ] θ c 3 [ 16 1 ] θ g 2 [ 12 1 ] θ d 2 [ 9 1 ] θ c 2 [ 8 1 ] θ g 1 [ 6 1 ] θ c 1 [ 4 1 ] θ g [ 3 1 ] θ c [ 2 1 ] Θ C [ 1 1 ] } . {\displaystyle \left\{{\begin{matrix}\left\{{\begin{matrix}&&&&&&.\cdot \\&&&&&\theta \!\!\!\!\!\!\searrow _{-c^{3}[{\frac {31}{1}}]}\\&&&&^{+bes^{3}[{\frac {29}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\&&&\theta \!\!\!\!\!\!\searrow _{-gis^{3}[{\frac {25}{1}}]}\\&&^{+fis^{3}[{\frac {23}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\&^{+es^{3}[{\frac {19}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\\theta \!\!\!\!\!\!\searrow _{-cis^{3}[{\frac {17}{1}}]}\\\end{matrix}}\right\}\\\cup \\\pitchfork \!\!\!\!\!\searrow _{-a^{2}[{\frac {13}{1}}]}\left\{{\begin{matrix}&&.\cdot \\&{\widetilde {\theta {c[{\frac {2}{1}}]}}}\\{\widetilde {\theta {C[{\frac {1}{1}}]}}}\\\end{matrix}}\right\}\equiv \left\{{\begin{matrix}&&.\cdot \\&\pitchfork \!\!\!\!\!\searrow _{-a^{3}[{\frac {26}{1}}]}\\\pitchfork \!\!\!\!\!\searrow _{-a^{2}[{\frac {13}{1}}]}\\\end{matrix}}\right\}\\\cup \\^{+f^{2}[{\frac {11}{1}}]}\nwarrow \!\!\!\!\!\!\theta \left\{{\begin{matrix}&&.\cdot \\&{\widetilde {\theta {c[{\frac {2}{1}}]}}}\\{\widetilde {\theta {C[{\frac {1}{1}}]}}}\\\end{matrix}}\right\}\equiv \left\{{\begin{matrix}&&.\cdot \\&^{+f^{3}[{\frac {22}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\^{+f^{2}[{\frac {11}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\\end{matrix}}\right\}\\\cup \\\theta \!\!\!\!\!\!\searrow _{-bes^{1}[{\frac {7}{1}}]}\left\{{\begin{matrix}&&&&.\cdot \\&&&{\widetilde {\theta {c^{1}[{\frac {4}{1}}]}}}\\&&{\widetilde {\theta {g[{\frac {3}{1}}]}}}\\&{\widetilde {\theta {c[{\frac {2}{1}}]}}}\\{\widetilde {\theta {C[{\frac {1}{1}}]}}}\\\end{matrix}}\right\}\\\cup \\\theta \!\!\!\!\!\!\searrow _{-e^{1}[{\frac {5}{1}}]}\left\{{\begin{matrix}&&&&&.\cdot \\&&&&{\widetilde {\theta {g^{1}[{\frac {6}{1}}]}}}\\&&&{\widetilde {\theta {c^{1}[{\frac {4}{1}}]}}}\\&&{\widetilde {\theta {g[{\frac {3}{1}}]}}}\\&{\widetilde {\theta {c[{\frac {2}{1}}]}}}\\{\widetilde {\theta {C[{\frac {1}{1}}]}}}\\\end{matrix}}\right\}\end{matrix}}\right\}=\left\{{\begin{matrix}:\\\theta c^{4}[{\frac {32}{1}}]~~\theta \!\!\!\!\!\!\searrow _{-c^{3}[{\frac {31}{1}}]}\\\theta \!\!\!\!\!\!\searrow _{-b^{3}[{\frac {30}{1}}]}\\^{+bes^{3}[{\frac {29}{1}}]}\nwarrow \!\!\!\!\!\!\theta \!\!\!\!\!\!\searrow _{-bes^{3}[{\frac {28}{1}}]}\\\pitchfork a^{3}[{\frac {27}{1}}]~~\pitchfork \!\!\!\!\!\searrow _{-a^{3}[{\frac {26}{1}}]}\\\theta \!\!\!\!\!\!\searrow _{-gis^{3}[{\frac {25}{1}}]}\\\theta g^{3}[{\frac {24}{1}}]\\^{+fis^{3}[{\frac {23}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\^{+f^{3}[{\frac {22}{1}}]}\nwarrow \!\!\!\!\!\!\theta \!\!\!\!\!\!\searrow _{-f^{3}[{\frac {21}{1}}]}\\\theta \!\!\!\!\!\!\searrow _{-e^{3}[{\frac {20}{1}}]}\\^{+es^{3}[{\frac {19}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\\theta d^{3}[{\frac {18}{1}}]\\\theta \!\!\!\!\!\!\searrow _{-cis^{3}[{\frac {17}{1}}]}\\\theta c^{3}[{\frac {16}{1}}]\\\theta \!\!\!\!\!\!\searrow _{-b^{2}[{\frac {15}{1}}]}\\\theta \!\!\!\!\!\!\searrow _{-bes^{2}[{\frac {14}{1}}]}\\\pitchfork \!\!\!\!\!\searrow _{-a^{2}[{\frac {13}{1}}]}\\\theta g^{2}[{\frac {12}{1}}]\\^{+f^{2}[{\frac {11}{1}}]}\nwarrow \!\!\!\!\!\!\theta \\\theta \!\!\!\!\!\!\searrow _{-e^{2}[{\frac {10}{1}}]}\\\theta d^{2}[{\frac {9}{1}}]\\\theta c^{2}[{\frac {8}{1}}]\\\theta \!\!\!\!\!\!\searrow _{-bes^{1}[{\frac {7}{1}}]}\\\theta g^{1}[{\frac {6}{1}}]\\\theta \!\!\!\!\!\!\searrow _{-e^{1}[{\frac {5}{1}}]}\\\theta c^{1}[{\frac {4}{1}}]\\\theta g[{\frac {3}{1}}]\\\theta c[{\frac {2}{1}}]\\\Theta C[{\frac {1}{1}}]\end{matrix}}\right\}\setminus \left\{{\begin{matrix}:\\\theta c^{4}[{\frac {32}{1}}]\\\pitchfork a^{3}[{\frac {27}{1}}]\\\theta g^{3}[{\frac {24}{1}}]\\\theta d^{3}[{\frac {18}{1}}]\\\theta c^{3}[{\frac {16}{1}}]\\\theta g^{2}[{\frac {12}{1}}]\\\theta d^{2}[{\frac {9}{1}}]\\\theta c^{2}[{\frac {8}{1}}]\\\theta g^{1}[{\frac {6}{1}}]\\\theta c^{1}[{\frac {4}{1}}]\\\theta g[{\frac {3}{1}}]\\\theta c[{\frac {2}{1}}]\\\Theta C[{\frac {1}{1}}]\end{matrix}}\right\}.}
= {\displaystyle =}
= {\displaystyle =}
∖ {\displaystyle \setminus }
Якщо не піфагорійські висоти порівнювати з підхожими піфагорійськими, то перші відрізняються від других на невеликі інтервали, звані комами , серед різноманіття яких є одна з найбільш відомих ― синтонічна кома Дідима [8] Δ ι , {\displaystyle \Delta \iota {,}} грец. Δί δυμος ι Δ , {\displaystyle \iota \Delta {,}}
Δ ι , = 1200 ⋅ log 2 ( 81 / 80 ) ≈ + 21 , 51 C [ Cent ] ; ι Δ , = 1200 ⋅ log 2 ( 80 / 81 ) ≈ − 21 , 51 C . {\displaystyle {\begin{array}{lclcl}\Delta \iota {,}&=&1200\cdot \log _{2}(81/80)&\approx &+21{,}51{\cancel {\mbox{C}}}[{\mbox{Cent}}];\\\iota \Delta {,}&=&1200\cdot \log _{2}(80/81)&\approx &-21{,}51{\cancel {\mbox{C}}}.\end{array}}}
e 1 [ 5 ] , e 2 [ 10 ] , b 2 [ 15 ] {\displaystyle e^{1}[5],e^{2}[10],b^{2}[15]} θ e 1 [ 81 / 16 ] , θ e 2 [ 81 / 8 ] , θ b 2 [ 243 / 16 ] {\displaystyle \theta e^{1}[81/16],\theta e^{2}[81/8],\theta b^{2}[243/16]} ι Δ , [ 80 / 81 ] {\displaystyle \iota \Delta {,}[80/81]} ι Δ , θ e 1 [ 5 ] ; ι Δ , θ e 2 [ 10 ] ; ι Δ , θ b 2 [ 15 ] {\displaystyle \iota \Delta {,}\theta e^{1}[5];\iota \Delta {,}\theta e^{2}[10];\iota \Delta {,}\theta b^{2}[15]}
ι Δ , θ b 2 [ 15 ] = ι Δ , θ b 2 [ ( 80 / 81 ) ⋅ ( 243 / 16 ) ≡ ( 80 / 16 ) ⋅ ( 243 / 81 ) ] = b 2 [ 5 ⋅ 3 ≡ 15 ] ; ι Δ , θ e 2 [ 10 ] = ι Δ , θ e 2 [ ( 80 / 81 ) ⋅ ( 81 / 8 ) ≡ ( 80 / 8 ) ⋅ ( 81 / 81 ) ] = e 2 [ 10 ⋅ 1 ≡ 10 ] ; ι Δ , θ e 1 [ 5 ] = ι Δ , θ e 1 [ ( 80 / 81 ) ⋅ ( 81 / 16 ) ≡ ( 80 / 16 ) ⋅ ( 81 / 81 ) ] = e 1 [ 5 ⋅ 1 ≡ 5 ] . {\displaystyle {\begin{array}{rcccl}\iota \Delta {,}\theta b^{2}[15]&=&\iota \Delta {,}\theta b^{2}[(80/81)\cdot (243/16)\equiv (80/16)\cdot (243/81)]&=&b^{2}[5\cdot 3\equiv 15];\\\iota \Delta {,}\theta e^{2}[10]&=&\iota \Delta {,}\theta e^{2}[(80/81)\cdot (81/8)\equiv (80/8)\cdot (81/81)]&=&e^{2}[10\cdot 1\equiv 10];\\\iota \Delta {,}\theta e^{1}[5]&=&\iota \Delta {,}\theta e^{1}[(80/81)\cdot (81/16)\equiv (80/16)\cdot (81/81)]&=&e^{1}[5\cdot 1\equiv 5].\end{array}}}
b e s 1 [ 7 ] , b e s 2 [ 14 ] {\displaystyle bes^{1}[7],bes^{2}[14]} септимальна кома Архита [9] A ρ , {\displaystyle \mathrm {A} \rho {,}} грец. Αρ χύτας ρ A , {\displaystyle \rho \mathrm {A} {,}}
A ρ , = 1200 ⋅ log 2 ( 64 / 63 ) ≈ + 27 , 26 C ; ρ A , = 1200 ⋅ log 2 ( 63 / 64 ) ≈ − 27 , 26 C . {\displaystyle {\begin{array}{lclcl}{\mbox{A}}\rho {,}&=&1200\cdot \log _{2}(64/63)&\approx &+27{,}26{\cancel {\mbox{C}}};\\\rho {\mbox{A}}{,}&=&1200\cdot \log _{2}(63/64)&\approx &-27{,}26{\cancel {\mbox{C}}}.\end{array}}}
ρ A , [ 63 / 64 ] {\displaystyle \rho {\mbox{A}}{,}[63/64]} θ b e s 1 [ 64 / 9 ] , θ b e s 2 [ 128 / 9 ] {\displaystyle \theta bes^{1}[64/9],\theta bes^{2}[128/9]} b e s 1 [ 7 ] , b e s 2 [ 14 ] {\displaystyle bes^{1}[7],bes^{2}[14]} ρ A , θ b e s 1 [ 7 ] , ρ A , θ b e s 2 [ 14 ] {\displaystyle \rho {\mbox{A}}{,}\theta bes^{1}[7],\rho {\mbox{A}}{,}\theta bes^{2}[14]}
ρ A , θ b e s 2 [ 14 ] = ρ A , θ b e s 2 [ ( 63 / 64 ) ⋅ ( 128 / 9 ) ≡ ( 63 / 9 ) ⋅ ( 128 / 64 ) ] = b e s 2 [ 7 ⋅ 2 ≡ 14 ] ; ρ A , θ b e s 1 [ 7 ] = ρ A , θ b e s 1 [ ( 63 / 64 ) ⋅ ( 64 / 9 ) ≡ ( 63 / 9 ) ⋅ ( 64 / 64 ) ] = b e s 1 [ 7 ⋅ 1 ≡ 7 ] . {\displaystyle {\begin{array}{rcccl}\rho {\mbox{A}}{,}\theta bes^{2}[14]&=&\rho {\mbox{A}}{,}\theta bes^{2}[(63/64)\cdot (128/9)\equiv (63/9)\cdot (128/64)]&=&bes^{2}[7\cdot 2\equiv 14];\\\rho {\mbox{A}}{,}\theta bes^{1}[7]&=&\rho {\mbox{A}}{,}\theta bes^{1}[(63/64)\cdot (64/9)\equiv (63/9)\cdot (64/64)]&=&bes^{1}[7\cdot 1\equiv 7].\end{array}}}
f 2 [ 11 ] {\displaystyle f^{2}[11]} ундецімальна кома аль-Фарабі [10] Φ α , {\displaystyle \Phi \alpha {,}} грец. αλ-Φα ράμπι ― для підвищення, та інвертоване ― α Φ , {\displaystyle \alpha \Phi {,}}
Φ α , = 1200 ⋅ log 2 ( 33 / 32 ) ≈ + 53 , 27 C ; α Φ , = 1200 ⋅ log 2 ( 32 / 33 ) ≈ − 53 , 27 C . {\displaystyle {\begin{array}{lclcl}\Phi \alpha {,}&=&1200\cdot \log _{2}(33/32)&\approx &+53{,}27{\cancel {\mbox{C}}};\\\alpha \Phi {,}&=&1200\cdot \log _{2}(32/33)&\approx &-53{,}27{\cancel {\mbox{C}}}.\end{array}}}
Φ α , [ 33 / 32 ] {\displaystyle \Phi \alpha {,}[33/32]} θ f 2 [ 32 / 3 ] {\displaystyle \theta f^{2}[32/3]} Φ α , θ f 2 [ 11 ] {\displaystyle \Phi \alpha {,}\theta f^{2}[11]} f 2 [ 11 ] {\displaystyle f^{2}[11]}
Φ α , θ f 2 [ 11 ] = Φ α , θ f 2 [ ( 33 / 32 ) ⋅ ( 32 / 3 ) ≡ ( 33 / 3 ) ⋅ ( 32 / 32 ) ] = f 2 [ 11 ⋅ 1 ≡ 11 ] . {\displaystyle {\begin{array}{rcccl}\Phi \alpha {,}\theta f^{2}[11]&=&\Phi \alpha {,}\theta f^{2}[(33/32)\cdot (32/3)\equiv (33/3)\cdot (32/32)]&=&f^{2}[11\cdot 1\equiv 11].\end{array}}}
a 2 [ 13 ] {\displaystyle a^{2}[13]} тридецімальна кома [11] ρ ι , {\displaystyle \rho \iota {,}} грец. δεκατρί α ― для підвищення, та інвертоване ― ι ρ , {\displaystyle \iota \rho {,}}
ρ ι , = 1200 ⋅ log 2 ( 27 / 26 ) ≈ + 65 , 34 C ; ι ρ , = 1200 ⋅ log 2 ( 26 / 27 ) ≈ − 65 , 34 C . {\displaystyle {\begin{array}{lclcl}\rho \iota {,}&=&1200\cdot \log _{2}(27/26)&\approx &+65{,}34{\cancel {\mbox{C}}};\\\iota \rho {,}&=&1200\cdot \log _{2}(26/27)&\approx &-65{,}34{\cancel {\mbox{C}}}.\end{array}}}
θ a 2 [ 27 / 2 ] {\displaystyle \theta a^{2}[27/2]} ι ρ , {\displaystyle \iota \rho {,}} ι ρ , θ a 2 [ 13 ] {\displaystyle \iota \rho {,}\theta a^{2}[13]} a 2 [ 13 ] {\displaystyle a^{2}[13]}
ι ρ , θ a 2 [ 13 ] = ι ρ , θ a 2 [ ( 26 / 27 ) ⋅ ( 27 / 2 ) ≡ ( 26 / 2 ) ⋅ ( 27 / 27 ) ] = a 2 [ 13 ⋅ 1 ≡ 13 ] . {\displaystyle {\begin{array}{rcccl}\iota \rho {,}\theta a^{2}[13]&=&\iota \rho {,}\theta a^{2}[(26/27)\cdot (27/2)\equiv (26/2)\cdot (27/27)]&=&a^{2}[13\cdot 1\equiv 13].\end{array}}}
Треба врахувати, що подвійність існування кратності гармонічної [12] [13] [14] [15] [16]
Обертони нотного прикладу Кетлін Шлезінгер пронумеровані натуральними числами, але гармонічний ряд є підсистема чіткої інтонації. Тотожне перенумерування у подвійній манері, з одиницею після риси, явно виразить, що увесь ряд збудований від першого унтертону (збігається з першим обертоном) і кожен номер перед рисою вказує на його приналежність саме до ряду обертонів від загальної основи, тобто від першого унтертону у ряді таких від цієї загальної основи.
Таким чином, якщо для повної визначеності додати ще й позначенням відсутності будь-якої коми χ , {\displaystyle \chi {,}} грец. χ ωρίς
{ χ , θ χ , θ χ , θ χ , θ ι Δ , θ χ , θ ρ A , θ χ , θ χ , θ ι Δ , θ Φ α , θ χ , θ ι ρ , θ ρ A , θ ι Δ , θ χ , θ [ 1 / 1 ] C [ 2 / 1 ] c [ 3 / 1 ] g [ 4 / 1 ] c 1 [ 5 / 1 ] e 1 [ 6 / 1 ] g 1 [ 7 / 1 ] b e s 1 [ 8 / 1 ] c 2 [ 9 / 1 ] d 2 [ 10 / 1 ] e 2 [ 11 / 1 ] f 2 [ 12 / 1 ] g 2 [ 13 / 1 ] a 2 [ 14 / 1 ] b e s 2 [ 15 / 1 ] b 2 [ 16 / 1 ] c 3 ⋯ } {\displaystyle \left\{{\begin{array}{|c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|}\hline _{\chi {,}\theta }&_{\chi {,}\theta }&_{\chi {,}\theta }&_{\chi {,}\theta }&_{\iota \Delta {,}\theta }&_{\chi {,}\theta }&_{\rho \mathrm {A} {,}\theta }&_{\chi {,}\theta }&_{\chi {,}\theta }&_{\iota \Delta {,}\theta }&_{\Phi \alpha {,}\theta }&_{\chi {,}\theta }&_{\iota \rho {,}\theta }&_{\rho \mathrm {A} {,}\theta }&_{\iota \Delta {,}\theta }&_{\chi {,}\theta }\\^{~~C}_{[1/1]}&^{~~c}_{[2/1]}&^{~~g}_{[3/1]}&^{~~c^{1}}_{[4/1]}&^{~~e^{1}}_{[5/1]}&^{~~g^{1}}_{[6/1]}&^{~bes^{1}}_{[7/1]}&^{~~c^{2}}_{[8/1]}&^{~~d^{2}}_{[9/1]}&^{~~e^{2}}_{[10/1]}&^{~~f^{2}}_{[11/1]}&^{~~g^{2}}_{[12/1]}&^{~~a^{2}}_{[13/1]}&^{~bes^{2}}_{[14/1]}&^{~~b^{2}}_{[15/1]}&^{~~c^{3}}_{[16/1]}&^{\cdots }\\\hline \end{array}}\right\}}
Гармонічний ряд in C
χ , θ χ , θ χ , θ χ , θ ι Δ , θ χ , θ ρ A , θ χ , θ χ , θ ι Δ , θ Φ α , θ χ , θ ι ρ , θ ⋔ ρ A , θ ι Δ , θ χ , θ {\displaystyle {\begin{array}{|c|c|c|}\hline _{\chi {,}\theta }&_{\chi {,}\theta }&_{\chi {,}\theta }\\\hline \end{array}}~~~~~~~~~~~~{\begin{array}{|c|c|c|c|c|c|c|c|c|c|c|c|}\hline _{\chi {,}\theta }&_{\iota \Delta {,}\theta }&_{\chi {,}\theta }&_{\rho \mathrm {A} {,}\theta }&_{\chi {,}\theta }&_{\chi {,}\theta }&_{\iota \Delta {,}\theta }&_{\Phi \alpha {,}\theta }&_{\chi {,}\theta }&_{\iota \rho {,}\theta }^{~~~\pitchfork }&_{\rho \mathrm {A} {,}\theta }&_{\iota \Delta {,}\theta }&_{\chi {,}\theta }\\\hline \end{array}}}
[ 1 1 ] C [ 2 1 ] c [ 3 1 ] g [ 4 1 ] c 1 [ 5 1 ] e 1 [ 6 1 ] g 1 [ 7 1 ] b e s 1 [ 8 1 ] c 2 [ 9 1 ] d 2 [ 10 1 ] e 2 [ 11 1 ] f 2 [ 12 1 ] g 2 [ 13 1 ] a 2 [ 14 1 ] b e s 2 [ 15 1 ] b 2 [ 16 1 ] c 3 {\displaystyle {\begin{array}{|c|c|c|}\hline ^{~~C}_{\left[{\frac {1}{1}}\right]}&^{~~c}_{\left[{\frac {2}{1}}\right]}&^{~~g}_{\left[{\frac {3}{1}}\right]}\\\hline \end{array}}~~~~~~~~~{\begin{array}{|c|c|c|c|c|c|c|c|c|c|c|c|}\hline ^{~~c^{1}}_{\left[{\frac {4}{1}}\right]}&^{~~e^{1}}_{\left[{\frac {5}{1}}\right]}&^{~~g^{1}}_{\left[{\frac {6}{1}}\right]}&^{bes^{1}}_{\left[{\frac {7}{1}}\right]}&^{~~c^{2}}_{\left[{\frac {8}{1}}\right]}&^{~~d^{2}}_{\left[{\frac {9}{1}}\right]}&^{~~e^{2}}_{\left[{\frac {10}{1}}\right]}&^{~~f^{2}}_{\left[{\frac {11}{1}}\right]}&^{~~g^{2}}_{\left[{\frac {12}{1}}\right]}&^{~~a^{2}}_{\left[{\frac {13}{1}}\right]}&^{~bes^{2}}_{\left[{\frac {14}{1}}\right]}&^{~~b^{2}}_{\left[{\frac {15}{1}}\right]}&^{~~c^{3}}_{\left[{\frac {16}{1}}\right]}\\\hline \end{array}}}
Звертаючи увагу на факт присутності у кожній енгармонічній фікті символу θ {\displaystyle \theta } χ , {\displaystyle \chi {,}}
Значок ⋔ {\displaystyle \pitchfork } θ {\displaystyle \theta } a 2 {\displaystyle a^{2}} стандартною частотою настройки ,[17]
θ ⋔ a 2 [ 27 / 2 ] − ( θ P 8 [ 2 / 1 ] ) = θ ⋔ a ( 2 − 1 ≡ 1 ) [ ( 27 / 2 ) ⋅ ( 1 / 2 ) ≡ ( 27 / 4 ) ] = ⋔ a 1 [ 27 / 4 ] [ 440 Hz ] . {\displaystyle {\begin{array}{rcccl}_{\theta }^{\pitchfork }a^{2}[27/2]-(\theta P8[2/1])&=&_{\theta }^{\pitchfork }a^{(2-1\equiv 1)}[(27/2)\cdot (1/2)\equiv (27/4)]&=&{\pitchfork }a^{1}[27/4][440{\mbox{Hz}}].\end{array}}}
--93.76.19.47 15:04, 7 жовтня 2016 (UTC) --93.76.25.29 19:02, 7 жовтня 2016 (UTC) --93.76.25.243 04:54, 8 жовтня 2016 (UTC) --93.76.24.144 07:18, 8 жовтня 2016 (UTC) --37.53.143.174 10:16, 8 жовтня 2016 (UTC)
![\version "2.16.2"\header { tagline = ##f title = "Гармонічний ряд in C" subtitle = "Нотація у сенсі 12(24)РДО темперації. Натиснути щоб почути MIDI" subsubtitle = #(string-append "Над нотами фікти. Під нотами подвійні номери")}melody = { \clef bass \key c \major \time 15/2 c,2^\markup{ \italic{♮ŧC}}^\markup{⋔ висота камертона, \italic ŧ — темперована} c2^\markup{\italic{♮ŧC}} g2^\markup{\italic{♮ŧG}} \clef treble c'2^\markup{\italic{♮ŧC}} e'2^\markup{\italic{♮ŧE}} g'2^\markup{\italic{♮ŧG}} \stemUp bes'2^\markup{\italic{♭ŧB}} \stemDown c''2^\markup{\italic{♮ŧC}} d''2^\markup{\italic{♮ŧD}} e''2^\markup{\italic{♮ŧE}} fih''?2^\markup{\italic{♮ŧF+}} g''2^\markup{\italic{♮ŧG}} aeh''?2^\markup{\center-align\italic{♮⋔A−}} bes''2^\markup{\italic{♭ŧB}} b''2^\markup{\italic{♮ŧB}} \stemUp \clef "treble^15" \time 16/2 c'''2^\markup{\italic{♮ŧC}} cis'''2^\markup{\italic{♯ŧC}} d'''2^\markup{\italic{♮ŧD}} ees'''2^\markup{\italic{♭ŧE}} e'''2^\markup{\italic{♮ŧE}} f'''2^\markup{\italic{♮ŧF}} fih'''?2^\markup{\italic{♮ŧF+}} fis'''2^\markup{\italic{♯ŧF}} g'''2^\markup{\italic{♮ŧG}} gis'''2^\markup{\italic{♯ŧG}} aeh'''?2^\markup{\italic{♮⋔A−}} a'''2^\markup{\center-align\italic{♮⋔A}} bes'''2^\markup{\italic{♭ŧB}} beh'''?2^\markup{\italic{♭ŧB+}} b'''2^\markup{\italic{♮ŧB}} \stemDown ceh''''?2^\markup{\italic{♮ŧC−}} c''''2^\markup{\italic{♮ŧC}}}text = \lyricmode {[¹/₁] [²/₁] [³/₁] [⁴/₁] [⁵/₁] [⁶/₁] [⁷/₁] [⁸/₁] [⁹/₁] [¹⁰/₁] [¹¹/₁] [¹²/₁] [¹³/₁] [¹⁴/₁] [¹⁵/₁] [¹⁶/₁] [¹⁷/₁] [¹⁸/₁] [¹⁹/₁] [²⁰/₁] [²¹/₁] [²²/₁] [²³/₁] [²⁴/₁] [²⁵/₁] [²⁶/₁] [²⁷/₁] [²⁸/₁] [²⁹/₁] [³⁰/₁] [³¹/₁] [³²/₁]}\score {<< \new Voice = "mel" \melody \new Lyrics \lyricsto mel \text>> \layout { indent = #0 line-width = #180 } \midi { }}](http://upload.wikimedia.org/score/7/1/71owricfy79e2kgfqoimqfkt9gnagdo/71owricf.png)
![\version "2.16.2"\header{tagline = ##fpiece = \markup{\column{\line{Θ\bold{\italic{C}:}[¹/₁]}\line{\bold{R}[esidue]\bold{⊂J}[ust]\bold{I}[ntonation]\bold{L}[imit]\bold{31⊅03}∌}\line{∌ ⋔\bold{\italic{a³}:}[²⁷/₁][1.760kHz]}\line{Виділеної піфагорійської висоти до-великої-октави як 1-го обертону 1-го унтертону}\line{резидуум (\bold{R}) \bold{у Ч}іткої \bold{І}нтонації \bold{М}ежі \bold{31 без підмножини 03} — піфагорійської (\bold{R⊂ЧIM31⊅03})}\line{без елементу камертон-висоти ля-третьої-октави як 27-го обертону 1-го унтертону [стимул 1,760kHz]}}}}{<<\new Staff = "11" \with { \remove "Time_signature_engraver" } {\clef "treble^15" \key c \major \time 16/1{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa r1<<{ \stemDown cis'''1 r1\stemUp ees'''1\stemDown r1 r1\stemUp r1 fis'''1 r1\stemDown gis'''1 r1 r1 r1\stemUp bes'''1 r1\stemDown c''''}\new PianoStaff <<\new Staff = "111" \with{\remove "Time_signature_engraver"alignBelowContext = #"11"fontSize = #-1firstClef = ##t}{\clef "french^22" \key c \major{\override NoteHead.font-size = #2 \override NoteHead.style = #'re\stemUp r1 r1 r1 r1 r1 r1 r1 r1 r1 r1 r1 r1 r1 r1\stemDown c''''1}}\new Staff = "112" \with{\remove "Time_signature_engraver"alignBelowContext = #"111"fontSize = #-1firstClef = ##t}{\clef "baritone^29" \key ees \major{\override NoteHead.font-size = #2 \override NoteHead.style = #'re\stemUp r1 r1\stemUp ees'''1 r1 r1 r1 r1 r1 r1 r1 r1 r1\clef "alto^29" \key bes \major \stemUp bes'''1 r1 r1}}\new Staff = "113" \with{\remove "Time_signature_engraver"alignBelowContext = #"112"fontSize = #-1firstClef = ##t}{\clef "french^15" \key cis \major{\override NoteHead.font-size = #2 \override NoteHead.style = #'re\stemUp \stemDown cis'''1 r1 r1 r1 r1 r1\clef "soprano^22" \key fis \major \stemUp fis'''1 r1\clef "tenor^29" \key gis \major \stemDown gis'''1 r1 r1 r1 r1 r1 r1}}>>>>}}\new PianoStaff <<\new Staff = "31" \with { \remove "Time_signature_engraver" } {\clef "treble^15" \key c \major \time 16/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa r1 r1 r1 r1 r1 r1 r1 r1 r1 r1\stemDown a'''1 r1 r1 r1 r1 r1}>>}\new Staff = "32" \with { \remove "Time_signature_engraver" } {\clef treble \key c \major \time 16/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa r1 r1 r1 r1 r1 r1 r1 r1 r1 r1<<{ \stemDown a''1}\new Staff = "321" \with{\remove "Time_signature_engraver"alignBelowContext = #"32"fontSize = #-1firstClef = ##t}{\clef "treble^15" \key c \major<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'re\stemUp\stemDown \stemDown <a'' a'''>1}>>}>> r1 r1 r1 r1 r1}>>}>>\new PianoStaff <<\new Staff = "41" \with { \remove "Time_signature_engraver" } {\clef "treble^15" \key c \major \time 16/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa r1 r1 r1 r1 r1 r1\stemUp f'''1 r1 r1 r1 r1 r1 r1 r1 r1 r1}>>}\new Staff = "42" \with { \remove "Time_signature_engraver" } {\clef treble \key c \major \time 16/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa r1 r1 r1 r1 r1 r1<<{ \stemUp f''1}\new Staff = "421" \with{\remove "Time_signature_engraver"alignBelowContext = #"42"fontSize = #-1firstClef = ##t}{\clef "soprano^15" \key f \major<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'re \stemUp <f'' f'''>1}>>}>> r1 r1 r1 r1 r1 r1 r1 r1 r1}>>}>>\new PianoStaff <<\new Staff = "51" \with { \remove "Time_signature_engraver" } {\clef "treble^15" \key c \major \time 16/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa r1 r1 r1 r1 r1\stemDown f'''1 r1 r1 r1 r1 r1 r1\stemDown bes'''1 r1 r1 r1}>>}\new Staff = "52" \with { \remove "Time_signature_engraver" } {\clef treble \key c \major \time 16/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa r1 r1 r1 r1 r1<<{ r1 r1 r1 r1 r1 r1 r1\stemDown <bes' bes''>1}\new PianoStaff <<\new Staff = "521" \with{\remove "Time_signature_engraver"alignBelowContext = #"52"fontSize = #-1firstClef = ##t}{\clef "tenor^29" \key bes \major<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'re r1 r1 r1 r1 r1 r1 r1\stemDown bes'''1}>>}\new Staff \with{\remove "Time_signature_engraver"alignBelowContext = #"521"fontSize = #-1firstClef = ##t}{\clef "alto^15" \key bes \major<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'re \stemDown f'''1 r1 r1 r1 r1 r1 r1\stemDown <bes! bes''>1}>>}>>>> r1 r1 r1}>>}>>\new PianoStaff <<\new Staff = "61" \with { \remove "Time_signature_engraver" } {\clef "treble^15" \key c \major \time 16/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa r1 r1 r1 r1\stemDown e'''1 r1 r1 r1 r1 r1 r1 r1 r1 r1\stemDown b'''1 r1}>>}\new Staff = "62" \with { \remove "Time_signature_engraver" } {\clef treble \key c \major \time 16/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa r1 r1 r1 r1<<{ \stemDown <e' e''>1 r1 r1 r1 r1 r1 r1 r1 r1 r1\stemDown b''1}\new PianoStaff <<\new Staff = "621" \with{\remove "Time_signature_engraver"alignBelowContext = #"62"fontSize = #-1firstClef = ##t}{\clef "french^15" \key e \major %\time 12/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'re \stemDown e'''1 r1 r1 r1 r1 r1 r1 r1 r1 r1\stemDown b'''1}>>}\new Staff \with{\remove "Time_signature_engraver"alignBelowContext = #"621"fontSize = #-1firstClef = ##t}{\clef "baritone^15" \key e \major<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'re \stemDown <e' e''>1 r1 r1 r1 r1 r1 r1 r1 r1 r1\stemDown b''1 }>>}>>>> r1}>>}>>\new Staff = "71" \with { \remove "Clef_engraver" \remove "Time_signature_engraver" } {}>>}](http://upload.wikimedia.org/score/f/f/ffbo4zzetr7nx5rm8dsbzhs1850htlx/ffbo4zze.png)
![\version "2.16.2"\header{tagline = ##fpiece = \markup{\column{\line{Θ\bold{\italic{C}:}[¹/₁]\bold{K}[lang]\bold{⊂JIL31}∋}\line{∋ ⋔\bold{\italic{a³}:}[²⁷/₁][1.760kHz]}}}}{<<\new Staff \with { \remove "Time_signature_engraver" } {\clef "treble^15" \key c \major \time 4/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'las4 s4 s4 a'''1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'res4 g'''1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'res4 s4 d'''1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'re<c''' c''''>1^\markup{\bold:}}>>}\new Staff \with { \remove "Time_signature_engraver" } {\clef "treble^15" \key c \major \time 4/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'fas4 s4 s4 s4 \stemDown <b'''!>1}\\{\override NoteHead.font-size = #2 \override NoteHead.style = #'fas4 s4 s4 s4 \stemUp <fis'''>1}\\{\override NoteHead.font-size = #2 \override NoteHead.style = #'fas4 s4 s4 \stemUp <f'''! bes'''!>1}\\{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa\stemDowns4 s4 <e'''! gis''' bes'''!>1}\\{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa\stemUps4 <ees'''>1}\\{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa\stemDown<cis''' f'''! a''' c''''!>1}>>}\new Staff \with { \remove "Time_signature_engraver" } {\clef treble \key c \major \time 4/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'fas4 s4 s4 s4 \stemDown <b''!>1}\\{\override NoteHead.font-size = #2 \override NoteHead.style = #'fas4 s4 s4 \stemUp <f''!>1}\\{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa\stemDowns4 s4 <e'! bes' e''! bes''!>1}\\{\override NoteHead.font-size = #2 \override NoteHead.style = #'fa\stemDown<a''>1}>>}\new Staff \with { \remove "Time_signature_engraver" } {\clef treble \key c \major \time 4/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'res4 s4 <d''>1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'res4 <g' g''>1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'re<c' c''>1}>>}\new Staff \with { \remove "Time_signature_engraver" } {\clef bass \key c \major \time 4/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'res4 <g>1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'re<c, c>1}>>}>>}](http://upload.wikimedia.org/score/m/h/mhnd0ea0kuagp023ykhjhfteff8a8dk/mhnd0ea0.png)
![\version "2.16.2"\header{tagline = ##fpiece =\markup{\column{\line{Θ\bold{\italic{C}:}[¹/₁]\bold{K⊂JIL03}∋}\line{∋⋔\bold{\italic{a³}:}[²⁷/₁][1.760kHz]}}}}{<<\new Staff \with { \remove "Time_signature_engraver" } {\clef "treble^15" \key c \major \time 4/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'las4 s4 s4 a'''1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'res4 s4 d'''1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'res4 g'''1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'re<c''' c''''>1^\markup{\bold:}}>>}\new Staff \with { \remove "Time_signature_engraver" } {\clef treble \key c \major \time 4/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'res4 s4 <d''>1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'res4 <g' g''>1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'re<c' c''>1}>>}\new Staff \with { \remove "Time_signature_engraver" } {\clef bass \key c \major \time 4/1<<{\override NoteHead.font-size = #2 \override NoteHead.style = #'res4 <g>1} \\{\override NoteHead.font-size = #2 \override NoteHead.style = #'re<c, c>1}>>}>>}](http://upload.wikimedia.org/score/g/z/gzpkfcxe0sezyklir71hdeily0qnoye/gzpkfcxe.png)
