Original file (809 × 1,011 pixels, file size: 90 KB, MIME type: image/jpeg)
Portrait of Antoine, bastard of Burgundy (1421–1504) | |||||||||||||||||||||||||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
| ||||||||||||||||||||||||||||||||||||||||||||||||||||
Title | label QS:Lca,"Antoni de Borgonya" label QS:Lfr,"Portrait d'Antoine, grand bâtard de Bourgogne" label QS:Lnl,"Portret van Antoon van Bourgondië (ca. 1430 - ?)" | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Object type | painting | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Genre | portrait | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Description | The Order of the Golden Fleece, the ring worn on the second finger joint, and the metal rings used for the lacing of his doublet. | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Depicted people | Anthony, bastard of Burgundy | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Date | circa | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Medium | oil on panel and on oak panel | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Dimensions | height: 45 cm (17.7 in) ; width: 35 cm (13.7 in) dimensions QS:P2048,+45U174728 dimensions QS:P2049,+35U174728 | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Collection |
institution QS:P195,Q653002
institution QS:P195,Q4890 | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Accession number | Gal.-Nr. 801 (Gemäldegalerie Alte Meister) | ||||||||||||||||||||||||||||||||||||||||||||||||||||
References | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Source/Photographer | Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/m/memling/6copies/0149burg.html" | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Other versions |
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 19:13, 20 January 2007 | 809 × 1,011 (90 KB) | PKM | {{Information |Description=Antoine Bastard of Burgundy |Source=http://www.wga.hu/frames-e.html?/html/m/memling/6copies/0149burg.html |Date=1467-1470 |Author=attr Hans Memling |Permission=PD |other_versions= }} {{Creator:Hans Memling}} [[Category:Hans |
The following other wikis use this file:
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
JPEG file comment | MEMLING, Hans (b. ca. 1440, Seligenstadt, d. 1494, Bruges) Portrait of Anthony of Burgundy1467-70Oil on 45 x 35,5 cmGemäldegalerie, Dresden An almost equally large version of this portrait is in the Musée Condé, Chantilly. The man is depicted shoulder-length against a plain dark green background, behind a stone sill, on which his right hand rests. The chain of the Order of the Golden Fleece hangs around his neck. The identification is based on the motto and on older copies bearing the name of the subject. Probably born in about 1430, Anthony of Burgundy was a bastard son of Philip the Good and Jeanne de Presles. He was knighted in 1452 and admitted to the Order of the Golden Fleece in 1456. Both portraits are clearly based on a single prototype, whose style and conception indicate that it must have been painted by Memling. Although other opinions existed in the past, there is now a broad consensus to this effect. The Chantilly version features powerful and contrasting modelling and might have been produced before the end of the fifteenth century. The Dresden copy is weaker and might not have been executed until some time in the sixteenth century. The reverse is also fairly heavily damaged. Nevertheless, it shows the same inscriptions. It is usually the Chantilly version, therefore, which is referred to when seeking to evoke the original. In view of the costume and age of the subject, the original work must have been painted in around 1467-70, and will thus have belonged to Memling's earliest known portraits. --- Keywords: -------------- Author: MEMLING, HansTitle: Portrait of Anthony of BurgundyTime-line: 1451-1500School: FlemishForm: painting Type: portrait |
---|