Salah satu pelukis yang memeloporkan paham ekspresionisme
Suami/istri
Otto Modersohn
Paula Modersohn-Becker (terlahir dengan nama Minna Hermine Paula Becker, 8 Februari 1876 – 20 November 1907) adalah seorang pelukis asal Dresden, Jerman. Ia adalah salah satu pelukis di masanya yang memelopori paham ekspresionisme.
Marina Bohlmann-Modersohn: Paula Modersohn-Becker. Eine Biographie mit Briefen. 3. Auflage. Knaus, Berlin 1997, ISBN3-8135-2594-5
Janet M.C. Burns: "Looking as Women: The Paintings of Suzanne Valadon, Paula Modersohn-Becker and Frida Kahlo". Atlantis, vol. 18, no 1&2 (1993):25-46.
Günther Busch, Liselotte von Reinken, Arthur S. Wensinger, Carole Clew Hoey: Paula Modersohn-Becker, The Letters and Journals. Northwestern University Press, 1990
Anne Higonnet: "Making Babies, Painting Bodies: Women, Art, and Paula Modersohn-Becker's Productivity." Woman's Art Journal, vol. 30, no. 2 (2009):15-21, illus.
Averil King, Paula Modersohn-Becker, 'Antique Collectors Club, 2006
Paula Modersohn-Becker: The Letters and Journals of Paula Modersohn-Becker. Translated & annotated by J. Diane Radycki. Introduction by Alessandra Comini
Epilogue of poetry by Rainer Maria Rilke (Requiem, 1908, translated by Adrienne Rich & Lilly Engler) and by Adrienne Rich ("Paula Becker to Clara Westhoff", 1975–76). Metuchen, N.J., & London: The Scarecrow Press, Inc., 1980. ISBN0-8108-1344-0
Paula Modersohn-Becker, Sophie Dorothee Gallwitz: Eine Künstlerin: Paula Becker-Modersohn. Briefe und Tagebuchblätter. Kestner-Gesellschaft, Hanover 1917
Gillian Perry: Paula Modersohn-Becker: Her Life and Work. Harper & Row 1979
Diane Radycki: "American Women Artists in Munich, or Die Frauen ohne Schatten." In: American Artists in Munich: Artistic Migration and Cultural Exchange Processes, eds. Christian Fuhrmeister, Hubertus Kohle and Veerle Thielemans, pp. 109–24, illus. Modersohn-Becker & O'Keeffe. Berlin, München: Deutscher Kunstverlag, 2009. ISBN978-3-422-06833-9
Diane Radycki: "Paula Modersohn-Becker: The Gendered Discourse in Modernism." Ph.D.dissertation, Harvard University, 1993 (readers: Konrad Oberhuber and Norman Bryson). UMI 93-31,015
Diane Radycki: "Pictures of Flesh: Modersohn-Becker and the Nude." Woman's Art Journal, vol. 30, no. 2 (2009):3-14, illus. home.moravian.eduDiarsipkan 2020-09-15 di Wayback Machine.
Diane Radycki: "Pretty/ Ugly: Morphing Paula Modersohn-Becker and Marie Laurencin." Make, no. 72 (1996):19-21, illus.
Diane Radycki: Paula Modersohn-Becker: The First Modern Woman Artist. Yale Press, 2013 (diakses di amazon.com)
Rainer Stamm: "Paula Modersohn-Becker and the Body in Art." Woman's Art Journal, vol. 30, no. 2 (2009):22-4, illus.
Monica J. Strauss: "Helen Serger's Galerie La Boetie: Paula Modersohn-Becker on Madison Avenue." Woman's Art Journal, vol. 30, no. 2 (2009):32-5, illus.
Eric Torgersen: Dear Friend: Rainer Maria Rilke and Paula Modersohn-Becker. Northwestern University Press, 1998
Gustav Pauli, Paula Modersohn- Becker, Berlin: Wolff, 1919; 3rd edition, 1934
Waldemar Augustiny, Paula Modersohn- Becker, Gutersloh: Mohn, 1960, Paula Modersohn- Becker, Hildesheim, 1971
Ellen C. Oppler, "Paula Modersohn- Becker: Some facts and legends", Art Journal, xxxv, Summer 1976, pp. 364–9
Christa Murken-Altrogge, Paula Modersohn- Becker: Leben und Werk, Cologne: Du Mont, 1980
Gunter Busch, Paula Modersohn- Becker: Malerin, Zeichnerin, Frankfurt am Main: Fischer, 1981