| Mellor filme | Mellor director |
|---|
| |
| Mellor actor | Mellor actriz |
|---|
| |
| Mellor actor secundario | Mellor actriz secundaria |
|---|
- James Dunn – A Tree Grows in Brooklyn
- Michael Chekhov – Spellbound
- John Dall – The Corn Is Green
- Robert Mitchum – The Story of G.I. Joe
- J. Carrol Naish – A Medal for Benny
| |
| Mellor guión orixinal | Mellor guión adaptado |
|---|
- Marie-Louise – Richard Schweizer
- Music for Millions – Myles Connolly
- Salty O'Rourke – Milton Holmes
- What Next, Corporal Hargrove? – Harry Kurnitz
- Dillinger – Philip Yordan
| - A fin de semana perdida – Charles Brackett e Billy Wilder
- The Story of G.I. Joe – Leopold Atlas, Guy Endore e Philip Stevenson
- A Tree Grows in Brooklyn – Frank Davis e Tess Slesinger
- Mildred Pierce – Ranald MacDougall
- Pride of the Marines – Albert Maltz
|
| Mellor argumento | Mellor curtametraxe de animación |
|---|
- The House on 92nd Street – Charles G. Booth
- Objective, Burma! – Alvah Bessie
- The Affairs of Susan – László Görög e Thomas Monroe
- A Song to Remember – Ernst Marischka
- A Medal for Benny – John Steinbeck e Jack Wagner
| - Quiet Please!
- Donald's Crime
- Jasper and the Beanstalk
- Life with Feathers
- Mighty Mouse in Gypsy Life
- The Poet and Peasant
- Rippling Romance
|
| Mellor documental | Mellor curtametraxe de animación |
|---|
| - Hitler Lives?
- Library of Congress
- To the Shores of Iwo Jima
|
| Mellor curtametraxe de ficción, un rolo | Mellor curtametraxe de ficción, dous rolos |
|---|
- Stairway to Light – Herbert Moulton e Jerry Bresler
- Along the Rainbow Trail – Edmund Reek
- Screen Snapshots' 25th Anniversary – Ralph Staub
- Story of a Dog – Gordon Hollingshead
- White Rhapsody – Grantland Rice
- Your National Gallery – Joseph O'Brien e Thomas Mead
| - Star in the Night – Gordon Hollingshead
- A Gun in His Hand – Chester Franklin
- The Jury Goes Round 'N' Round – Jules White
- The Little Witch – George Templeton
|
| Mellor banda sonora, comedia ou drama | Mellor banda sonora, musical |
|---|
- Spellbound – Miklos Rozsa
- Guest Wife – Daniele Amfitheatrof
- The Story of G.I. Joe – Louis Applebaum e Ann Ronell
- Flame of Barbary Coast – Dale Butts e Morton Scott
- The Bells of St. Mary's – Robert Emmett Dolan
- Brewster's Millions – Lou Forbes
- The Woman in the Window – Hugo Friedhofer e Arthur Lange
- The Man Who Walked Alone – Karl Hajos
- O capitán Kidd – Werner Janssen
- Guest in the House – Werner Janssen
- The Southerner – Werner Janssen
- G. I. Honeymoon – Edward J. Kay
- The Keys of the Kingdom – Alfred Newman
- A fin de semana perdida – Miklos Rozsa
- A Song to Remember – Miklos Rozsa e Morris Stoloff
- This Love of Ours – H. J. Salter
- The Valley of Decision – Herbert Stothart
- Paris Underground – Alexander Tansman
- Objective, Burma – Franz Waxman
- The Enchanted Cottage – Roy Webb
- Love Letters – Victor Young
| - Levando áncoras – Georgie Stoll
- Incendiary Blonde – Robert Emmett Dolan
- Wonder Man – Lou Forbes e Ray Heindorf
- Why Girls Leave Home – Walter Greene
- Rhapsody in Blue – Ray Heindorf e Max Steiner
- State Fair – Charles Henderson e Alfred Newman
- Sunbonnet Sue – Edward J. Kay
- Can't Help Singing – Jerome Kern e H. J. Salter
- Belle of the Yukon – Arthur Lange
- The Three Caballeros – Edward Plumb, Paul J. Smith e Charles Wolcott
- Hitchhike to Happiness – Morton Scott
- Esta noite e tódalas noites – Marlin Skiles e Morris Stoloff
|
| Mellor canción | Mellor son |
|---|
- "It Might as Well Be Spring" de State Fair – Música de Richard Rodgers; Letra de Oscar Hammerstein II
- "Accentuate the Positive]]" de Here Come the Waves – Música de Harold Arlen; Letra de Johnny Mercer
- "Anywhere" de Esta noite e tódalas noites – Música de Jule Styne; Letra de Sammy Cahn
- "Aren't You Glad You're You" de The Bells of St. Mary's – Música de James Van Heusen; Letra de Johnny Burke
- "The Cat and the Canary" de Why Girls Leave Home – Música de Jay Livingston; Letra de Ray Evans
- "Endlessly" de Earl Carroll Vanities – Música de Walter Kent; Letra de Kim Gannon
- "I Fall in Love Too Easily" de Levando áncoras – Música de Jule Styne; Letra de Sammy Cahn
- "I'll Buy That Dream" de Sing Your Way Home – Música de Allie Wrubel; Letra de Herb Magidson
- "Linda" de The Story of G.I. Joe – Música e letra de Ann Ronell
- "Love Letters" de Love Letters – Música de Victor Young; Letra de Eddie Heyman
- "More and More" de Can't Help Singing – Música de Jerome Kern; Letra de E. Y. Harburg
- "Sleighride in July" de Belle of the Yukon – Música de James Van Heusen; Letra de Johnny Burke
- "So in Love" de Wonder Man – Música de David Rose; Letra de Leo Robin
- "Some Sunday Morning" de San Antonio – Música de Ray Heindorf e M. K. Jerome; Letra de Ted Koehler
| - The Bells of St. Mary's – Stephen Dunn, RKO Radio Studio Sound Department
- A Song to Remember – John P. Livadary, Columbia Studio Sound Department
- The Southerner – Jack Whitney, General Service
- They Were Expendable – Douglas Shearer, MGM Studio Sound Department
- The Unseen – Loren L. Ryder, Paramount Studio Sound Department
- Three Is a Family – W. V. Wolfe, RCA Sound
- Flame of Barbary Coast – Daniel J. Bloomberg, Republic Studio Sound Department
- Wonder Man – Gordon Sawyer, Samuel Goldwyn Studio Sound Department
- Que o ceo a xulgue – Thomas T. Moulton, Fox Studio Sound Department
- Lady on a Train – Bernard B. Brown, Universal Studio Sound Department
- The Three Caballeros – C. O. Slyfield, Walt Disney Studio Sound Department
- Rhapsody in Blue – Nathan Levinson, Warner Bros. Studio Sound Department
|
| Mellor dirección de arte, branco e negro | Mellor dirección de arte, cor |
|---|
- Sangue sobre o sol – Dirección artística: Wiard Ihnen; Decorados: A. Roland Fields
- The Keys of the Kingdom – Dirección artística: James Basevi e William S. Darling; Decorados: Thomas Little e Frank E. Hughes
- Noite na alma – Dirección artística: Albert S. D'Agostino e Jack Okey; Decorados: Darrell Silvera e Claude Carpenter
- Love Letters – Art Decoration: Hans Dreier e Roland Anderson; Decorados: Sam Comer e Ray Moyer
- The Picture of Dorian Gray – Dirección artística: Cedric Gibbons e Hans Peters; Decorados: Edwin B. Willis, John Bonar e Hugh Hunt
| - Frenchman's Creek – Dirección artística: Hans Dreier e Ernst Fegte; Decorados: Sam Comer
- National Velvet – Dirección artística: Cedric Gibbons e Urie McCleary; Decorados: Edwin B. Willis e Mildred Griffiths
- A Thousand and One Nights – Dirección artística: Stephen Goosson e Rudolph Sternad; Decorados: Frank Tuttle
- San Antonio – Dirección artística: Ted Smith; Decorados: Jack McConaghy
- Que o ceo a xulgue – Dirección artística: Lyle Wheeler e Maurice Ransford; Decorados: Thomas Little
|
| Mellor fotografía, branco e negro | Mellor fotografía, cor |
|---|
- The Picture of Dorian Gray – Harry Stradling
- Spellbound – George Barnes
- Mildred Pierce – Ernest Haller
- The Keys of the Kingdom – Arthur C. Miller
- A fin de semana perdida – John F. Seitz
| - Que o ceo a xulgue – Leon Shamroy
- The Spanish Main – George Barnes
- A Song to Remember – Tony Gaudio e Allen M. Davey
- Levando áncoras – Robert Planck e Charles P. Boyle
- National Velvet – Leonard Smith
|
| Mellor montaxe | Mellores efectos especiais |
|---|
- National Velvet – Robert J. Kern
- Objective, Burma! – George Amy
- A fin de semana perdida – Doane Harrison
- The Bells of St. Mary's – Harry Marker
- A Song to Remember – Charles Nelson
| - Wonder Man – Fotografía: John P. Fulton; Son: Arthur Johns
- A Thousand and One Nights – Fotografía: Lawrence W. Butler; Son: Ray Bomba
- Spellbound – Fotografía e son: Jack Cosgrove
- They Were Expendable – Fotografía: A. Arnold Gillespie, Donald Jahraus e R. A. MacDonald; Son: Michael Steinore
- Captain Eddie – Fotografía: Fred Sersen e Sol Halprin; Son: Roger Heman Sr. e Harry M. Leonard
|
