Will Putney | |
|---|---|
| Origin | Sayreville, NJ |
| Genres | rock music |
| Occupation(s) | Record producer, Mixing engineer, Audio mastering, Audio mixing (recorded music), Guitarist, Songwriter |
| Website | http://www.willputneyproductions.com |
About
Will Putney is an American record producer, mixer, engineer, masterer, songwriter, and musician specializing in rock music genres such as hardcore, metal, and metalcore. Will works at The Machine Shop, a recording studio located in New Jersey.[1] He is also a member of deathcore band Fit for an Autopsy.[2]
Selected Production Discography
| Year | Artist | Title | Label | Role | Achievements |
|---|---|---|---|---|---|
| 2014 | D at Sea | Anchors & Diamonds | UNFD | Producer, Engineer, Mixer, Masterer[3] | |
| 2014 | Structures | Life Through a Window | Sumerian Records | Producer, Engineer, Mixer, Masterer[4] | |
| 2014 | Upon a Burning Body | The World is My Enemy Now | Sumerian Records | Producer, Engineer, Mixer, Masterer, Writer | |
| 2014 | Miss May I | Gone (single) | Sumerian Records | Writer | |
| 2014 | Miss May I | Last Letter (single) | Rise Records | Writer | |
| 2014 | Body Count | Manslaughter | Sumerian Records | Producer, Mixer, Engineer, Masterer[5] | |
| 2014 | The Acacia Strain | Coma Witch | Rise Records | Producer, Mixer, Engineer, Masterer[6] | |
| 2014 | Wolves at the Gate (band) | VxV | Solid State Records | Producer, Engineer, Mixer, Masterer[7] | |
| 2014 | The Amity Affliction | Let the Ocean Take Me | Roadrunner Records | Producer, Engineer, Mixer[8] | Certified Gold in Australia;[9] #1 Debut on Australia's ARIA Charts[10] |
| 2014 | Bury Tomorrow | Runes (album) | Nuclear Blast | Mixer, Masterer[11] | |
| 2014 | For Today | Fight The Silence | Razor & Tie | Producer, Engineer, Mixer, Masterer, Co-writer[12] | |
| 2013 | Heart Of A Coward | Severance | Century Media Records | Mixer, Masterer[13] | |
| 2013 | Impending Doom (American band) | Death Will Reign | eOne Music | Producer, Engineer, Mixer, Masterer, Co-writer[14] | |
| 2013 | Exhumed (band) | Necrocracy | Relapse Records | Mixer, Masterer | |
| 2013 | Winds of Plague | Resistance (Winds of Plague album) | Century Media Records | Producer, Engineer, Mixer, Masterer, Writer | |
| 2013 | The Acacia Strain | Above/Below EP | Rise Records | Producer, Engineer, Mix, Masterer[15] | |
| 2013 | Fit for an Autopsy | Hellbound | eOne Music | Producer, Engineer, Mixer, Masterer, Writer[16] | |
| 2013 | Like Moths to Flames | An Eye for an Eye (Like Moths to Flames album) | Rise Records | Producer, Engineer, Mixer, Masterer, Writer[17] | |
| 2013 | Misery Signals | Absent Light | Independent | Pre-production/Add Production[18] | |
| 2013 | My Ticket Home | Strangers Only | Rise Records | Producer, Engineer, Mixer, Masterer | |
| 2013 | Counterparts (band) | The Difference Between Hell and Home | Victory Records | Producer, Engineer, Mixer, Masterer[19] | |
| 2013 | Stray from the Path | Anonymous (Stray from the Path album) | Sumerian Records | Producer, Engineer, Mixer, Masterer[20] | |
| 2013 | For Today | Prevailer | Razor & Tie | Producer, Engineer, Mixer, Masterer[21] | |
| 2013 | Northlane | Singularity | UNFD | Producer, Engineer, Mixer, Masterer[22] | |
| 2012 | Poison the Well (band) | Tear from the Red (re-issue) | Rise Records | Re-Master[23] | |
| 2012 | Poison the Well (band) | The Opposite of December (re-issue) | Rise Records | Re-Master[24] | |
| 2012 | Vision of Disorder | The Cursed Remain Cursed | Candlelight Records | Producer, Engineer[25][26] | |
| 2012 | Thy Art Is Murder | Hate (Thy Art Is Murder album) | Independent | Producer, Engineer, Mixer, Masterer[27][28] | |
| 2012 | The Amity Affliction | Chasing Ghosts (album) | Roadrunner Records | Mixer, Masterer[29] | #1 Debut on Australia's ARIA Charts[30] |
| 2012 | Miss May I | Ballad of a Broken Man (single) | Rise Records | Writer | |
| 2012 | Texas in July | Texas in July (album) | Equal Vision Records | Producer, Engineer, Masterer[31] | |
| 2012 | For Today | Immortal (For Today album) | Razor & Tie | Producer, Engineer, Mixer, Masterer[32] | |
| 2012 | Upon a Burning Body | Red. White. Green. | Sumerian Records | Producer, Engineer, Mixer, Masterer[33] | |
| 2011 | Northlane | Discoveries | UNFD | Mixer, Masterer[34] | |
| 2011 | Hundredth (band) | Let Go (Hundredth album) | Mediaskare Records | Mixer, Masterer | |
| 2011 | Like Moths to Flames | When We Don't Exist | Rise Records | Producer, Engineer, Mixer, Masterer, Writer[35] | |
| 2011 | Molotov Solution | Insurrection (album) | Blkheart Group | Producer, Engineer, Mixer, Masterer[36] | |
| 2011 | Structures | Divided By | Sumerian Records | Producer, Engineer, Mixer, Masterer, Writer[37] | |
| 2011 | Stray from the Path | Rising Sun (Stray from the Path album) | Sumerian Records | Producer, Engineer, Mixer, Masterer[38] | |
| 2011 | Fit for an Autopsy | The Process of Human Extermination | Black Market | Producer, Engineer, Mixer, Masterer | |
| 2011 | The Human Abstract (band) | Digital Veil | eOne Music | Producer, Engineer, Mixer, Masterer[39] | |
| 2010 | Shadows Fall | Madness in Manila: Shadows Fall Live in the Philippines 2009 | ILG | Mixer, Masterer | |
| 2010 | After the Burial | In Dreams (After the Burial album) | Sumerian Records | Vocal Production[40] | |
| 2010 | For Today | Breaker (For Today album) | Facedown Records | Producer, Engineer, Mixer, Masterer[41] | |
| 2010 | Upon a Burning Body | The World Is Ours (Upon a Burning Body album) | Sumerian Records | Producer, Engineer, Mixer, Masterer[42] | |
| 2010 | Reign Supreme | Testing the Limits of Infinite | Deathwish Inc. | Producer, Engineer, Mixer, Masterer[43] | |
| 2010 | Chiodos | Illuminaudio | Equal Vision Records | Engineer[44] | |
| 2010 | Four Year Strong | Enemy of the World | The Island Def Jam Music Group | Engineer[45] | Peak Billboard Chart positions: #47 Billboard 200; #10 Digital Albums; #6 Alternative Albums; #9 Top Rock Albums [46] |
| 2009 | Suicide Silence | No Time to Bleed | Century Media Records | Engineer[47] |
Sources
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