Third Coast Percussion

In 2004, original members Anthony Calabrese, Robert Dillon, Jacob Nissly, and David Skidmore were all percussionists with the Civic Orchestra of Chicago,^[7] as well as students of Northwestern University. Along with their performance work with the ensemble, they formed a chamber percussion group that traveled throughout the Chicago area, performing at Chicago Public Schools and city colleges as an educational device. Although not using their signature title, it was from this humble engagement that the group Third Coast Percussion was created.

The first shows by Third Coast Percussion that were non-educational based were performed in the summer of 2005, the very first two being performed at Northwestern^[8] and the Music Institute of Chicago in Evanston. In the summer of that same year, the group's membership took a slight turn when Jake Nissly left for graduate studies at the Juilliard School. As a result, Peter Martin, a percussionist pursuing a doctoral degree at Northwestern, filled the spot in the group. In addition to Nissly's departure, member Anthony Calabrese would move on to concentrate on his schoolwork at Northwestern. Former member Owen Clayton Condon, an alumnus from Northwestern and professor at Northeastern University, would take Calabrese's place.

Rehearsing during the night at Northwestern and Northeastern University for a brief time, the group began tackling their goals as an ensemble. The unique concept of Third Coast's repertoire was something that the group developed early, influenced by a series of restraints that they dealt with. As a young group, many of their gigs, such as performances at the Empty Bottle, were at small venues with limited space to perform. This would restrict the number of instruments and the type of repertoire performed by the group. These restrictions were instrumental in the selection process of the music that Third Coast performed, as well as the development of the group’s style.

On February 12, 2006, TCP played at the Neo-Futurarium, a gig that turned out to break open the doors for the group. It was at this performance that they first met Ethelbert Williams, as of 2023 a longtime board member of TCP.^[9] Williams, an expert in marketing, was a member of the audience at this concert. Impressed with the ensemble's performance, Mr. Williams invited TCP to work with him. Ethelbert Williams was essential in helping to create a presentable package for the group that they could promote to the music world on a much broader scale.

Third Coast Percussion has since evolved from solely acting as an educational group associated with the Civic Orchestra of Chicago, to a full-time working music ensemble, with Sean Connors assuming Condon's place in the ensemble in 2013.

Working with Augusta Read Thomas in 2012 helped the ensemble conclude that commissioning can be a deeply collaborative partnership. This led to commissioning projects with Philip Glass, Missy Mazzoli, Gemma Peacocke, Flutronix, Jlin, Tyondai Braxton, Devonté Hynes, Georg Friedrich Haas, Donnacha Dennehy, Glenn Kotche, Christopher Cerrone, David T. Little, and others. These diverse collaborations reflect the ensemble's wide-ranging interests. In addition to working with today's leading composers, Third Coast has also collaborated with "engineers at the University of Notre Dame,^[10] architects at the Frank Lloyd Wright Foundation,^[11] dancers at Hubbard Street Dance Chicago,^[12] and musicians from traditions ranging from the mbira music of Zimbabwe’s Shona people,^[13] to indie rockers and footwork producers, to some of the world’s leading concert musicians."^[14] Third Coast has also increased their education offerings with focused programming and initiatives such as the Currents Creative Partnership.^[15]

Third Coast Percussion won a Grammy Award for Best Chamber Music/Small Ensemble Performance for their album Third Coast Percussion | Steve Reich, released on Cedille Records. They are the first percussion group to win in a chamber music category. The album featured entirely music of American composer Steve Reich in honor of his eightieth birthday and received high praise from Reich himself: "When I heard the Third Coast CD of a number of my pieces...I thought, 'Wow, you know, I've never heard them this way.' You have to literally lean in to listen. Which is a very good way to listen. And the whole thing just knocked my socks off."^[16] Third Coast Percussion performed music from the album at the 59th Annual Grammy Awards and were joined by jazz saxophonist Ravi Coltrane for the performance. Since this award, Third Coast has been nominated four additional times, with their first nomination as composers in 2021. ^[17]

• Condon: Double Helix (2005)
• Condon: Fractalia (2011)
• Condon: Quadruple Helix (2005)
• Dillon: Heaven We Need (2020)
• Dillon: ...hence the term, well-adjusted. (2021)
• Dillon: Mini-Moutons (2020)
• Dillon: One Concession to Glee (2020)
• Dillon: Ordering-instincts (2014)
• Martin: BEND (2016)
• Martin: WAVES (2014)
• Skidmore: Aliens with Extraordinary Abilities (2016)
• Skidmore: Common Patterns in Uncommon Time (2011)
• Skidmore: Echoes (2003)
• Skidmore: Fanfare for a New Audience (2009)
• Skidmore: In Contact (2006)
• Skidmore: Ritual Music (2004)
• Skidmore: Trying (2014)
• Third Coast Percussion: In Practice (2022)
• Third Coast Percussion: Niagara (2016)
• Third Coast Percussion: Paddle to the Sea (2017)
• Third Coast Percussion: Reaction Yield (2016)

• 100 different composers: RENGA:Cage:100
• Christopher Adler: Pines Long Slept in Sunshine
• Timo Andres: Austerity Measures (2013)
• Marcos Balter: dark rooms (2007)
• Matthew Barnson: Percussion Quartet (2006)
• Mark Berger: Percussion Quartet (2006)
• Martin Bresnick: A Message from the Emperor
• Kirsten Broberg: Constellations (2008)
• Christopher Cerrone: Goldbeater's Skin (2017)
• Danny Clay: playbook (2015)
• Adam Cuthbert: democracy looks like
• Thomas DeLio: ...sound / shivering / silence II
• Donnacha Dennehy: Surface Tension (2016)
• Christopher Fischer-Lochhead: On Tenterhooks (2012-2013)
• Ted Hearne: Thaw (2009)
• Ben Hjertmann: Automatic Glitch (2014)
• Ryan Ingebritsen: Improvisation in an Altered State (2013)
• Derek Jacoby: We’ve Gotta Find It (2006)
• Jlin: Perspectives (2020, commissioned by the Boulanger Initiative)^[18]
• Glenn Kotche: Stones Flow
• Glenn Kotche: Wild Sound (2014)
• Andrew McKenna Lee: Like A Sick, Breathing Tambura (2006)
• David T. Little: Haunt of Last Nightfall (2010)
• José Martínez: Two Questions About Time (2017)
• Marc Mellits: Gravity (2013)
• Otto Muller: Escoria (2010)
• Anthony Pateras: Lost Compass (2010)
• Jonathan Pfeffer: Jonathan was killed in battle against the Philistines
• Christopher Preissing: Point Line Space I: Sticks and Stones
• Annika Socolofsky: bellow (2017)
• Stephen Syverud: Snow Creatures
• Augusta Read Thomas: Resounding Earth (2012)
• Augusta Read Thomas: Selene
• Augusta Read Thomas: Wonderful Things! (Tomorrow Sings with Hope)
• Aaron Travers: Deep Carving (2006)
• Ivan Trevino: Watercolor Sun (2023)
• Dmitri Tymoczko: Röckdöts (2013)
• Katherine Young: just water, no lemon (2017)

Original albums

• Ritual Music (2008) ^[19]
• John Cage - The Works for Percussion, vol. 2 (2012)^{[20] [21] [22] [23]}
• Resounding Earth (2013)^{[24] [25]}
• Haunt of Last NightFall (2014)^{[26] [27]}
• Unknown Symmetry (2013)^[28]
• Third Coast Percussion | Steve Reich (2016)^[29]
• Phillipe Manoury - Book of Keyboards (2017)^[30]
• Paddle to the Sea (2018)^[31]
• Perpetulum (2019)^[32]
• Fields (2019)^[33]
• Quartered (2020)^[34]
• Archetypes (2021)^[35]
• Perspectives (2022)^[36]
• Currents/Volume 1 (2022)^[37]
• Between Breaths (2023)

Albums featuring Third Coast Percussion

• Lei Liang - Luminous (2016)
• Jeff Herriott - The Stone Tapestry (2017)
• David T. Little, Third Coast Percussion - Haunt of Last Nightfall (2014)
• *AND (Various Artists) Thaw - Ted Hearne (2013)
• Augusta Read Thomas: Of Being is a Bird (2016)
• Augusta Read Thomas: Astral Canticle (2015)
• Augusta Read Thomas: Ritual Incantations (2017)
• Devonté Hynes - Fields (2019)^[38]