Stand (R.E.M. song)

"Stand" is a song by the American alternative rock band R.E.M., released as the second single from the album Green in 1989. The song peaked at number six on the Billboard Hot 100, becoming R.E.M.'s second top 10 hit in the United States, and topped both the Mainstream Rock Tracks and Modern Rock Tracks charts. The song reached number 48 on the UK Singles Chart and number 16 in Canada. It was placed on R.E.M.'s Warner Bros. Records "best of" album In Time: The Best of R.E.M. 1988–2003 in 2003, as well as the 2011 compilation album Part Lies, Part Heart, Part Truth, Part Garbage.

"Stand"
Single by R.E.M.
from the album Green
B-side"Memphis Train Blues"
ReleasedJanuary 1989
Recorded1988
Genre
Length3:10
LabelWarner Bros.
Songwriter(s)
Producer(s)
R.E.M. singles chronology
"Orange Crush"
(1988)
"Stand"
(1989)
"Pop Song 89"
(1989)
Music video
"Stand" on YouTube

The song is an example of phrase modulation, as the last two rounds of the chorus are each one whole step higher than the one previous.[5] The song is meant to be a self-aware "tongue-in-cheek" 1960s-esque bubblegum pop song, meant to resemble the music of The Banana Splits, The Archies and The Monkees.[4]

"Stand" was used as the theme song for the 1990–1992 Fox sitcom Get a Life, starring Chris Elliott. It was parodied by "Weird Al" Yankovic as the song "Spam" on the album UHF – Original Motion Picture Soundtrack and Other Stuff.

While the song was originally published by Night Garden Music, with administration by Warner-Tamerlane Publishing Corp. (BMI), it is now administered by Universal Tunes (SESAC).

Meaning

Singer Michael Stipe has said of the song's meaning, "It's about making decisions and actually living your life rather than letting it happen."[6] Stipe has said of the song's origin that he and the other band members were discussing The Banana Splits, The Archies, The Monkees, and similar 1960s’ pop groups. "They threw these super bubblegummy songs at me, and I said, 'I'll raise you and see you one.' And I wrote the most inane lyrics that I could possibly write. Now, it was a very intentional thing to do that. I really like most of those songs, in fact."[7] Guitarist Peter Buck described "Stand" as "without a doubt, [...] the stupidest song we've ever written. That's not necessarily a bad thing though", comparing the song to "Louie Louie" by the Kingsmen in terms of 'stupid' lyrical content.[8]

Critical reception

Betty Page from Record Mirror commented, "Ah, this Michael Stipe — a god amongst men, apparently (along with Michael Hutchence, of course). What a curiously endearing accent the boy has. This is one of the REMers' more commercial gems — quirky but with an appealing guitar noise and a very nice tune to boot. This would make me want to go and listen to the LP, which I suppose is the idea. Stipe, you have Presence with a capital P."[9] The song was called "A splendid pop song..simultaneously stupid and profound. Stipe writes about the need for orientation in one's life, as if based on a series of steps for an unknown, invented, dance."[6]

Track listing

All songs written by Berry, Buck, Mills and Stipe except where indicated.

1st issue

7" Vinyl & Cassette single

  1. "Stand" – 3:10
  2. "Memphis Train Blues" – 1:38

12" Vinyl & 3" CD single

  1. "Stand" – 3:09
  2. "Memphis Train Blues" – 1:37
  3. "(The Eleventh Untitled Song)" – 3:56

Notes:The UK 3" CD single with the catalogue number W7577 CDX came in a leaf-shaped sleeve.

"(The Eleventh Untitled Song)" is an extended instrumental version of the closing (eleventh) unlisted (untitled) track from the album Green.

2nd issue – released later in 1989 with different cover art (a picture of the band on stage) in the UK instead of "Pop Song 89."

  1. "Stand" – 3:09
  2. "Pop Song 89" (Acoustic) – 2:56
  3. "Skin Tight" (Live Ohio Players cover, written by Jones, Pierce, Bonner, Middlebrooks) – 2:03

Note: live track recorded in Orlando, Florida 30 April 1989

Charts

Year-end charts

Chart (1989)Position
Canada Top Singles (RPM)[18]87
US Billboard Hot 100[19][20]76

References