Spirit (Jewel album)

Kilcher began writing material for Spirit after the release of Pieces of You in 1995.^[6] In 1996, she recorded six songs with producer Peter Collins, but scrapped the tracks after singles from her debut album, Pieces of You, began to receive significant radio play.^[6]

In a 1998 interview, she divulged that the song "Fat Boy" was written about a boy she grew up with who committed suicide on her family's property in Alaska: "There was a note [he left] that said some thing along the lines of, 'Nobody will love me,.' And to know that you're not sexually attractive in our society at age thirteen or to feel that you won't ever be loved at age eighteen is just devastating."^[6] She also stated that the song "Hands" was written based on the notion of: "if I watch what my hands do, I'd have a better idea of what I was thinking, consciously or subconsciously."^[6]

Spirit was recorded at Groove Masters in Santa Monica, California, and Ocean Way Recording in Hollywood.^[7] Jewel recorded the album with producer Patrick Leonard (who frequently had worked with Madonna), who added percussive undercurrents and keyboards to the guitar-based tracks.^[6]

Professional ratings

Review scores
Source	Rating
AllMusic	[7]
American Songwriter	[8]
Entertainment Weekly	B−[9]
The Guardian	[10]
Los Angeles Times	[11]
NME	1/10[12]
Q	[13]
Rolling Stone	[14]
Spin	4/10[15]
USA Today	[16]

David Browne of Entertainment Weekly wrote of the album: "With her dulcet voice and lulling refrains, Jewel makes the social and political ills of the world go down easy. But in doing so, she unintentionally confounds the problem, since her honeyed background-music folk makes issues of life and death appear more benign and less worrisome than they are. Jewel truly has brought topical folk songs into the modern age: She makes complacent rabble-rousers."^[9] Rolling Stone's Rob Sheffield felt that while "Jewel's sincere sentiment has its attractions in a time of irony overload", she "spends most of Spirit straining for grand meaning-of-life statements."^[14]

Jon Pareles of The New York Times compared Jewel's vocal mannerisms on the album to those of Joni Mitchell, Stevie Nicks, Michael Stipe, and Rickie Lee Jones, adding that "half the songs ... reach an otherworldly tenderness, redeeming the lyrics through the grace of the music."^[17] Wendy Brandes of CNN praised Jewel's vocals on the album, though added: "In the funky, accusatory 'Who Will Save Your Soul' on the first album, Jewel dropped to a growl to ask, 'Who will save your soul after the lies that you told, boy.' Songs in the new collection such as 'Hands' and 'Kiss the Flame' are, by contrast, pleasant folky confections that don't distinguish themselves musically or lyrically."^[18]