Queen Elisabeth Competition

The Queen Elisabeth Competition (Dutch: Koningin Elisabethwedstrijd, French: Concours musical international Reine Élisabeth) is an international competition for career-starting musicians held in Brussels. The competition is named after Queen Elisabeth of Belgium (1876–1965). It is a competition for classical violinists (from 1937 to present), pianists (1938 to present), singers (1988 to present) and cellists (2017 to present).[1] It also used to hold international competitions for composers from 1953 to 2012.[2] The current Patron is Queen Mathilde of Belgium.

Official logo, English version.

Since its foundation it has been considered one of the most challenging and prestigious competitions for instrumentalists. In 1957 the Queen Elisabeth Competition was one of the founding members of the World Federation of International Music Competitions.[3]

History

Eugène Ysaÿe, Belgian concert violinist, wanted to set up an international music competition for young virtuosi showcasing their all-round skill, but died before he could do so. Queen Elisabeth, patroness of the arts and good friend of Ysaÿe, set up the competition in his memory in 1937. The prestige of Ysaÿe and Belgium's Royal Court (King Albert and Queen Elisabeth were admired heroes of the First World War) assured that the first competition would draw great entrants.[4]

1937–1950

The first two editions of the competition, in 1937 for violin and in 1938 for piano, were named after Ysaÿe. World War II and other impediments prevented the competition from taking place from 1940 to 1950.[4]

19371938
ViolinX
PianoX

1951–1986

In 1951, the competition was renamed for its patroness, Queen Elisabeth, and has taken place under that name since then. It is one of three musical institutions (the others being the Queen Elisabeth Music Chapel and Antwerp Symphony Orchestra, residence orchestra of the Queen Elisabeth Hall) dedicated to the former Queen.

Entrants are expected to learn a compulsory work written especially for the competition. (The work is picked during the composition competition.) Usually there is also a section where contestants are expected to perform a work by a Belgian composer. From 1963 to 1980, Marcel Poot of the Brussels Conservatory chaired the jury of the competition and wrote several commissioned works to mark the occasion, that were used as competition-required pieces.[5]

The competition restarted with four-year cycles, starting with two consecutive years for violin and piano respectively, followed by a year for international composition competitions. The fourth year of each cycle had no competition. The years 1973 to 1974 were a transition to cycles with instrument competitions in even years, and the internationional composition competition in the year between the violin and the piano competitions, until the early 1980s when the cycles were re-arranged again.[2]

YearViolinPianoComposition
1951XFor Belgian composers
1952XFor Belgian composers
1953International
1955XFor Belgian composers
1956XFor Belgian composers
1957International
1959XFor Belgian composers
1960XFor Belgian composers
1961International
1963XFor Belgian composers
1964XFor Belgian composers
1965International
1967XFor Belgian composers
1968XFor Belgian composers
1969International
1971XFor Belgian composers
1972XFor Belgian composers
1975XFor Belgian composers
1976XFor Belgian composers
1977International
1978XFor Belgian composers
1980XFor Belgian composers
1982International
1983XFor Belgian composers
1985XFor Belgian composers

1987–2006

With the competition for voice (singing) introduced in 1988 the four-year cycles were piano → voice → violin → year without performer competition. Before 2002 there were no composition competitions in even years.[2]

1987198819891990199119921993199419951996
PianoXXX
Voice/singingXXX
ViolinXX
CompositionXXX
Composition for Belgian composersXXXXX
1997199819992000200120022003200420052006
PianoXX
Voice/singingXX
ViolinXXX
CompositionXXXXXX
Composition for Belgian composersXXXXX

2007–2014

From 2007 there were no longer years without competition for performers: with three disciplines (piano, voice, violin), each of these returned in a three-year cycle.[2]

There were competitions for composition in 2008, 2009, 2011 and 2012, each of these for the performance piece of the instrumentalist finale of the next year.[2]

20072008200920102011201220132014
PianoXXX
VoiceXXX
ViolinXX
CompositionXXXX

2015 and beyond

From 2015 there are again four-year cycles, with, for the first time in 2017, a cello competition added after the year with the piano competition.[6] The public composition competitions stopped.[2] The 2020 competition was postponed to 2021 due to the COVID-19 pandemic.[7]

2015201620172018201920202021202220232024
ViolinXXX
PianoXX
CelloXX
VoiceXX

Patronage and prizes

The Queen Elisabeth Competition generates income from its own activities, from private patronage and from sponsoring. Resources are varied: part of the funding for the prizes laureates receive is provided by public authorities and patrons, corporate sponsors, donors contributions, ticket and programme sales, advertising in the programmes and the sale of recordings. The Competition also benefits from the volunteer assistance of families who open their homes to candidates for the duration of the competition.

Prizes for the laureates of the competition (amounts as awarded in the 2015 violin competition):[8]

  • First prize, International Queen Elisabeth Grand Prize – Prize of the patron Queen (as of 2015: Queen Mathilde Prize): 25,000 euro, numerous concerts, recording on CD; for the violin competition also: loan of the 'Huggins' Stradivarius violin from the Nippon Music Foundation until the next violin competition.
  • Second Prize, Belgian Federal Government Prize: 20,000 euro, concerts, recording on CD
  • Third Prize, Count de Launoit Prize: 17,000 euro, concerts
  • Fourth Prize, Prize awarded alternately by each of the communities of Belgium (2015: awarded by the Government of the Federation Wallonia-Brussels): 12,500 euro, concerts
  • Fifth Prize, Brussels Capital Region Prize: 10,000 euro, concerts
  • Sixth Prize, City of Brussels Prize: 8,000 euro, concerts
  • For the other six laureates, sums donated by the Belgian National Lottery: 4,000 euro each

Laureates

Competitions for performing musicians have 12 finalists performing as a soloist before a full symphonic orchestra. Originally and until 1993, all finalists became ranked laureates, later only the first six laureates were ranked. The first editions of the competition were dominated by candidates from the USSR: the 1937 violin competition was won by David Oistrakh and the next year Emil Gilels won the piano competition. The piano competition of 1952 and the violin competition of 1955 were the first to see winners from the United States. By the time of the 50th competition in 2012 an increasing number of Asian contestants reached the finals.[2]

Source.[9]

Violin

Year1st2nd3rd4th5th6th
1937David OistrakhRicardo OdnoposoffElizabeth GilelsBoris GoldsteinMarina Kozolupova
1951Leonid KoganMikhail VaymanElise CserfalviTheo OlofAlexei Gorokhov[10]
1955Berl SenofskyJulian SitkovetskyPierre DoukanFrancine Dorfeuille-BoussinotVictor Pikayzen
1959Jaime LaredoAlbert MarkovJoseph SilversteinVladimir MalininBoris Kouniev
1963Aleksey Mikhlin [ru]Semyon SnitkovskyArnold SteinhardtZarius ShikhmurzayevaCharles Castleman
1967Philippe HirschhornStoïka MilanovaGidon KremerRoman NodelHidetaro Suzuki
1971Miriam FriedAndrey KorsakovHamao FujiwaraAna ChumachencoEdith Volckaert
1976Mikhaïl BezverkhnyIrina MedvedevaDong-Suk KangGrigori ZhislinShizuka Ishikawa
1980Yuzuko Horigome [jp]Peter ZazofskyTakashi ShimizuRuriko TsukaharaMihaela Martin
1985Hu Nai-yuanIk-hwan BaeHenry RaudalesHu KunMi Kyung Lee
1989Vadim RepinAkiko SuwanaiEvgeny BushkovErez OferUlrike-Anima Mathé
1993Yayoi TodaLiviu PrunaruKeng-Yuen Tseng [zh]Martin BeaverNatalia Prischepenko
1997Nikolaj ZnaiderAlbrecht BreuningerKristóf BarátiAndrew HaveronNatsumi Tamai
2001Baiba SkrideKam NingBarnabás KelemenAlina PogostkinNing Feng
2005Sergey KhachatryanYossif Ivanov [fr]Sophia JafféSaeka MatsuyamaMikhail Ovrutsky
2009Ray ChenLorenzo GattoIlian GârnetSuyoen KimNikita Borisoglebsky
2012Andrey BaranovTatsuki NaritaHyun Su ShinEsther YooTseng Yu-Chien
2015[8]Lim Ji-youngOleksii SemenenkoWilliam HagenTobias FeldmannStephen Waarts
2019Stella ChenTimothy ChooiStephen KimShannon LeeJúlia Pusker
2024Dmytro UdovychenkoJoshua BrownElli ChoiKevin ZhuJulian RheeMinami Yoshida

Piano

Year1st2nd3rd4th5th6th
1938Emil GilelsMary Johnstone (Moura Lympany)Jakov FlierLance DossorNibya Mariño Bellini [es]
1952Leon FleisherKarl EngelMaria TipoFrans BrouwLaurence Davis
1956Vladimir AshkenazyJohn BrowningAndrzej CzajkowskiCécile OussetLazar Berman
1960Malcolm FragerRonald TuriniLee LuvisiAlice MitchenkoGábor Gabos
1964Evgeny MogilevskyNikolai PetrovJean-Claude Vanden EyndenAnton KuertiRichard Syracuse
1968Ekaterina NovitskayaValère KamychovJeffrey SiegelSemion KroutchineAndré De Groote [nl]
1972Valery AfanassievJeffrey SwannJoseph AlfidiDavid LivelySvetlana Navasardyan
1975Mikhaïl FaermanStanislav IgolinskyYouri EgorovLarry Michael GrahamSergueï Iuchkevitch
1978Abdel Rahman El BachaGregory AllenBrigitte EngererAlan WeissDouglas Finch
1983Pierre-Alain Volondat [fr]Wolfgang ManzBoyan VodenitcharovDaniel BlumenthalEliane Rodrigues
1987Andrei NikolskyAkira WakabayashiRolf PlaggeJohan SchmidtIkuyo Nakamichi
1991Frank BraleyStephen PrutsmanBrian GanzHae-sun PaikAlexander Melnikov
1995Markus Groh [fr]Laura MikkolaGiovanni BellucciYuliya GorenmanJong Hwa Park
1999Vitaly SamoshkoAlexander GhindinNing AnShai WosnerRoberto Cominati [it]
2003Severin von EckardsteinWen-Yu ShenUnawarded after Dong-Hyek Lim refused it[11]Roberto GiordanoKazumasa Matsumoto
2007Anna VinnitskayaPlamena MangovaFrancesco PiemontesiIlya RashkovskyLim Hyo-Sun
2010Denis KozhukhinEvgeni BozhanovHannes MinnaarYury FavorinKim Tae-Hyung
2013Boris GiltburgRémi GenietMateusz BorowiakStanislav KhristenkoZhang Zuo
2016Lukáš VondráčekHenry KramerAlexander BeyerChi-Ho HanAljosa JurinicAlberto Ferro
2021Jonathan Fournel [fr]Sergei RedkinKeigo MukawaTomoki SakataVitaly Starikov

Voice / Singing

Year1st2nd3rd4th5th
1988Aga Wińska [Wikidata]Jeanette ThompsonHuub Claessens [Wikidata]Jacob WillYvonne Schiffelers [Wikidata]
1992Thierry Félix [Wikidata]Reginaldo PinheiroWendy HoffmanRegina NathanCristina Gallardo-Domâs
1996Stephen Salters [Wikidata]Ana Camelia Ștefănescu [Wikidata]Eleni MatosMariana Zvetkova [Wikidata]Ray Wade
2000Marie-Nicole LemieuxMarius BrenciuOlga PasichnykPierre-Yves PruvotLubana Al Quntar [Wikidata]
2004Iwona SobotkaHélène Guilmette [fr]Shadi Torbey [fr]Teodora GheorghiuDiana Axentii [fr]
2008Szabolcs Brickner [Wikidata]Isabelle DruetBernadetta Grabias [Wikidata]Anna KasyanYury Haradzetski
2011Haeran Hong [Wikidata]Thomas Blondelle [nl]Elena Galitskaya [Wikidata]Anaïk Morel [Wikidata]Konstantin Shushakov [Wikidata]
2014Sumi HwangJodie DevosSarah Laulan [Wikidata]Yu ShaoHera Hyesang Park
2018Samuel Hasselhorn [fr]Eva Zaïcik [fr]Ao LiRocío PérezHéloïse Mas [fr]
2023Taehan KimJasmin WhiteJulia Muzychenko-GreenhalghFloriane HaslerInho Jeong

Cello

Year1st2nd3rd4th5th
2017[12]Victor Julien-LaferrièreYuya OkamotoSantiago Cañón [es]Aurélien PascalIvan Karizna
2022[13]Choi Ha-young[14][15]Chen YibaiMarcel Johannes KitsOleksiy ShadrinPetar Pejcic

Composition

The first international Queen Elisabeth Competition for composition was held in 1953. Composition competitions had less laureates or finalists, with usually only the winners who see their winning piece performed in the final of the competitions for instrumentalists receiving broad media attention.[16]

YearCategory1stWork
1953Composition for symphony orchestraMichał SpisakSerenade
1957Composition for symphony orchestraOrazio Fiume [it]Concerto per orchestra
Composition for chamber orchestraMichał SpisakConcerto giocoso
1961Composition for symphony orchestraAlbert Delvaux [da; fr; ru]Sinfonia burlesca
Composition for chamber orchestraGiorgio Cambissa [fr]Concerto per ochestra da camera n. 3
1965Composition for symphony orchestraRudolf BrucciSynfonia lesta
Composition for violin and orchestraWilhelm Georg BergerConcert
1969Composition for symphony orchestraNicolae Beloiu [fr]Symphonie en deux mouvements
Composition for piano and orchestraRay E. Luke [nl]Concerto for piano
1977Composition for symphony orchestraHiro FujikakeRope Crest
Composition for string quartetAkira NishimuraHeterophony
1982Composition for symphony orchestraJohn Weeks [fr]Five Litanies for Orchestra
1991CompositionTristan-Patrice ChallulauNe la città dolente
1993CompositionPiet Swerts [nl]Zodiac
1995CompositionJohn WeeksRequiescat
1997CompositionHendrik HofmeyrRaptus
1999CompositionUljas Pulkkis [fr]Tears of Ludovico
2001CompositionSøren Nils EichbergQilaatersorneq
2002CompositionIan MunroPiano Concerto Dreams
2004CompositionJavier Torres MaldonadoObscuro Etiamtum Lumine
2006CompositionMiguel Gálvez-TaroncherLa luna y la muerte
2008CompositionCho Eun-hwa [de; nl; ru]Agens
2009CompositionJeon Minje [fr]Target
2011CompositionKenji Sakai [fr]Concerto pour violon et orchestre
2012CompositionMichel PetrossianIn the wake of Ea pour piano et orchestre

Media coverage and prizes awarded by audiences

The competition was covered on the Belgian radio from its first edition, the press writing about contestants and their performances. Broadcasting via television expanded in the 1960s. French-language and Dutch-language Belgian broadcasting organizations started to award prizes based on the preferences of their audiences from 1975 and 1991 respectively. Abdel Rahman El Bacha, Pierre-Alain Volondat, Severin von Eckardstein and Denis Kozhukhin were among the few contestants that were as convincing to the competition jury as to the general audience. Recorded performances were commercialised from 1967. In the 21st century recordings of the competitors' performances were streamed live on the internet and/or made available as video or audio downloads, followed by social media discussions.[17]

See also

References