Lionel Banes (1904–1996) was a British cinematographer and special effects photographer. During and after the Second World War he was employed by Ealing Studios and shot the 1949 Ealing Comedy Passport to Pimlico.[1] Later in his career he worked on a variety of television productions including many episodes of the 1960s series The Saint.
Lionel Banes | |
|---|---|
| Born | 27 July 1904 Manchester, Lancashire, England, United Kingdom |
| Died | 1996 United Kingdom |
| Occupation | Cinematographer |
| Years active | 1942–1969 (film and TV) |
Selected filmography
Film
- Bedelia (1946)
- The Captive Heart (1946)
- Frieda (1947)
- Nicholas Nickleby (1947)
- The Loves of Joanna Godden (1947)
- Against the Wind (1948)
- Passport to Pimlico (1949)
- Train of Events (1949)
- The Blue Lamp (1950)
- The Magnet (1950)
- Valley of Song (1953)
- The Good Beginning (1953)
- Dangerous Cargo (1954)
- The Night My Number Came Up (1955)
- No Road Back (1957)
- That Woman Opposite (1957)
- The Surgeon's Knife (1957)
- I Only Arsked! (1958)
- The Haunted Strangler (1958)
- Fiend Without a Face (1958)
- The Lamp in Assassin Mews (1962)
- She Always Gets Their Man (1962)
- The Durant Affair (1962)
- The Battleaxe (1962)
Television
- Colonel March of Scotland Yard (1954–56)
- The Adventures of the Scarlet Pimpernel (1955–56)
- The Count of Monte Cristo (1956)
- The Saint (1962–65)
- The Baron (1966)
- The Avengers (1966)
- Man in a Suitcase (1967–68)
References
Bibliography
- Barr, Charles. Ealing Studios. University of California Press, 1998.
External links
- Lionel Banes at IMDb