Glass Houses (album)

This album was the third collaboration between Joel and producer Phil Ramone, following The Stranger and 52nd Street and the final such collaboration in association with Home Run.

Opening with the sound of glass shattering, Glass Houses has more of a hard rock feel than Joel's previous albums. The cover shows Joel poised to throw a rock through the two-story window of his real-life waterfront glass house in Cove Neck. On some versions, the back cover shows Joel looking through the hole that the rock made in the glass. This alludes to the adage that "people in glass houses shouldn't throw stones".^{[citation needed]}

Professional ratings

Review scores
Source	Rating
AllMusic	[4]
Blender	[9]
Christgau's Record Guide	B−[10]
Encyclopedia of Popular Music	[11]
The Great Rock Discography	6/10[12]
Record Mirror	[13]
The Rolling Stone Album Guide	[14]
Smash Hits	8/10[15]

Rolling Stone critic Paul Nelson stated: "Billy Joel writes smooth and cunning melodies, and what many of his defenders say is true: his material's catchy. But then, so's the flu."^[16] In Christgau's Record Guide: The '80s (1990), Robert Christgau said: "From the straight-up hubba-hubba of 'You May Be Right' to the Rick Wakeman ostinatos of 'Sometimes a Fantasy' to the McCartneyesque melodicism of 'Don't Ask Me Why' to the what-it-is of 'It's Still Rock and Roll to Me,' it's all rock and roll to him, but to me it's closer to what pop meant before ironists and aesthetes, including yours truly, appropriated the term. Closer than any skinny-tie bands, that's for sure: gregarious, shameless, and above all profitable. Of course, if it doesn't make up in reach what it lacks in edge, ironists and aesthetes needn't notice it's there. And beyond 'Sleeping With the Television On,' I couldn't tell you thing one about side two, which I just played three times."^[10]

In 2004, the pop-culture journalist and rock critic Chuck Klosterman praised the album in an essay on Joel titled "Every Dog Must Have His Every Day, Every Drunk Must Have His Drink" from his book Sex, Drugs, and Cocoa Puffs (the title of the essay refers to a line from the Glass Houses song "Don't Ask Me Why").^[17] In particular, Klosterman praised some of the more obscure tracks from the album including "All for Leyna", "I Don't Want to Be Alone", "Sleeping with the Television On" and "Close to the Borderline."^[17]

In a retrospective review, Stephen Thomas Erlewine of AllMusic wrote: "It may not be punk – then again, it may be his concept of punk – but Glass Houses is the closest Joel ever got to a pure rock album."^[4]

All songs written by Billy Joel.

Musicians

• Billy Joel – vocals, acoustic piano, electric pianos, synthesizers, accordion, harmonica
• Richie Cannata – organs, saxophones, flute
• David Brown – acoustic and electric guitars (lead)
• Russell Javors – acoustic and electric guitars (rhythm)
• Doug Stegmeyer – bass guitar
• Liberty DeVitto – drums and percussion

Production

• Phil Ramone – producer
• Jim Boyer – engineer
• Bradshaw Leigh – assistant engineer
• Ted Jensen – mastering at Sterling Sound (New York, NY).
• Brian Ruggles – technician
• Steve Cohen – lighting
• Jim Houghton – photography
• Michele Slagter – production assistant
• Jeff Schock – product management