Front Page Story is a 1954 British drama film directed by Gordon Parry and starring Jack Hawkins, Elizabeth Allan and Eva Bartok.[2] It was shot in black-and-white at Shepperton Studios with some location shooting in London. The film's sets were designed by the art director Arthur Lawson.
| Front Page Story | |
|---|---|
.jpg) British theatrical poster | |
| Directed by | Gordon Parry |
| Screenplay by | Jack Howells Jay Lewis |
| Based on | Final Night by Robert Gaines |
| Produced by | Jay Lewis |
| Starring | Jack Hawkins Elizabeth Allan Eva Bartok Derek Farr |
| Cinematography | Gilbert Taylor |
| Edited by | Bill Lewthwaite |
| Music by | Jackie Brown |
Production company | Jay Lewis Productions |
| Distributed by | British Lion Films |
Release date |
|
Running time | 99 minutes |
| Country | United Kingdom |
| Language | English |
| Box office | £132,269 (UK)[1] |
Plot
Grant is a hard working Fleet Street newspaper editor who refuses to take a long planned holiday with his wife, Susan. Instead, to her annoyance, he stays in his office to deal with a number of urgent stories. These include a family of children evicted from their home when their mother dies, a woman charged with euthanasia, and a drunken ex-reporter tracking down an atomic scientist. They all culminate in the story of a plane crash, after which Grant is shocked to find his wife listed as one of the passengers. He discovers Susan was leaving him and going away with one of his colleagues. But did she take the plane?
Cast
- Jack Hawkins as Grant
- Elizabeth Allan as Susan Grant
- Eva Bartok as Mrs. Thorpe
- Derek Farr as Teale
- Michael Goodliffe as Kennedy
- Martin Miller as Dr. Brukmann
- Walter Fitzgerald as Black
- Patricia Marmont as Julie
- Joseph Tomelty as Dan
- Jenny Jones as Jenny
- Stephen Vercoe as Craig
- Helen Haye as Susan's Mother
- Michael Howard as Barrow
- John Stuart as Counsel for the Prosecution
- Bruce Beeby as Counsel for the Defence
- Guy Middleton as Gentle
- Ronald Adam as Editor
- Henry Mollison as Lester
Critical reception
The New York Times critic wrote, "there's nothing wrong with the point of this picture. It just doesn't make it well";[3] TV Guide found it "a lucid look behind the headlines at the people who get out the news";[4] while the British Radio Times magazine found it "cosily dated, but an interesting sign of its times."[5]
