Charles Louis Müller (also known as Müller de Paris) (Paris 22 December 1815 – 10 January 1892 Paris) was a French painter.
Charles Louis Müller | |
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Born | 28 December 1815 ![]() Paris ![]() |
Died | 9 January 1892 ![]() 8th arrondissement of Paris ![]() |
Occupation | Painter ![]() |
Awards |
![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Charles-Louis_Muller_M%C3%A4dchen_mit_Tambourin.jpg/200px-Charles-Louis_Muller_M%C3%A4dchen_mit_Tambourin.jpg)
Biography
He was the pupil of Léon Cogniet, Baron Gros and others in the École des Beaux-Arts. In 1837 he exhibited his first picture, Christmas Morning. From 1850 to 1853 he directed the manufactory of Gobelin tapestries. In 1864 he became a member of the Académie des Beaux-Arts of the Institut de France, succeeding Jean-Hippolyte Flandrin.
Works
He was a fecund producer of historic pictures and portraits. Among his works are Heliogabalus (1841), Primavera (1846), Haydée[1] (1848), Lady Macbeth, and his masterpiece, Calling Out the Last Victims of the Reign of Terror at the Prison of Saint-Lazare (Appel des dernières victimes de la Terreur dans la prison de Saint-Lazare), with portraits of the most illustrious victims).[2][3][4] Also notable are Vive l'Empereur, based on a poem by Méry about an episode in the battle before Paris, March 30, 1814 (1855), Marie Antoinette (1857), A Mass During the Reign of Terror (1863), Desdemona (1868), Lanjuinais at the Tribune (1869), The Madness of King Lear (1875), Charlotte Corday in Prison[5] (1875), Mater Dolorosa (1877), The Martyrdom of St. Bartholomew and The Massacre of the Innocents.
He executed frescoes for the Salle d'État and the Galerie d'Apollon in the Louvre,[6] and for the ceiling of the Salon Denon.[7]
Gallery (chronological)
- Calling Out the Last Victims of the Terror at Saint Lazare Prison on the 7-9 Thermidor, Year II [25-27 July 1794] (1850), Musée de la Révolution française
- The Madness of Haydée, scene from The Count of Monte Cristo (1848)
- Arrival of the Queen of England at the Palace of Saint Cloud (1855)
- Ceiling of the Salon Denon with frescoes by Müller (1863-1866)
- The Tribunal of the National Convention (1868)
- Charlotte Corday in Prison (1875), vintage postcard of the painting of unknown location[5]
- The Betrothed (by 1892)
References
Sources
- This article incorporates text from a publication now in the public domain: Rines, George Edwin, ed. (1920). . Encyclopedia Americana.
- Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). . New International Encyclopedia (1st ed.). New York: Dodd, Mead.
- Ripley, George; Dana, Charles A., eds. (1879). The American Cyclopædia. .
External links
![](http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png)
- Details regarding Müller's Charlotte Corday in Prison at the Smithsonian Pre-1877 Art Exhibition Catalogue Index.
- "Charles-Louis MÜLLER". cartelfr.louvre.fr. Retrieved 16 May 2011. Decoration for the ceiling of the Denon room at the Louvre, commissioned in 1862, executed 1863-1866.