Bulgasari

Bulgasari[a] is a lost 1962 South Korean kaiju film[6] directed and edited by Kim Myeong-je. Produced by Kwang Seong Films Co., Ltd.,[1] it was the first monster film to be made in South Korea,[7] as well as the first Korean film to use special effects.[8] The film stars Choi Moo-ryong as Nam Hyeong / Bulgasari alongside Um Aing-ran, Gang Mi-ae, Kim Dong-won, and Lee Up-dong. In the film, a skilled martial artist is resurrected as an iron-eating monster in order to exact revenge on those who murdered him.

Bulgasari
The film's poster, which features the main characters, a village ablaze, and the titular monster.
Theatrical release poster
Hanja
불가사리
Revised RomanizationBulgasali
Directed byKim Myeong-je
Screenplay byWoo Beom
Adaptation byYun Beom
Produced byCho Yong-jin
Starring
CinematographyKim Yeong-sun
Edited byKim Myeong-je
Music byKim Yong-hwan
Production
companies
Kwang Seong Films Co., Ltd.[1]
Release date
  • December 1, 1962 (1962-12-01)[2]
Running time
110 minutes[2]
CountrySouth Korea[3]
LanguageKorean
Budget₩3.5 million[4]

Bulgasari was reported to have begun production on November 26, 1961. It was inspired by the legendary Korean monster of the same name and heavily influenced by Godzilla (1954). On an approximately ₩3.5 million budget,[4] Bulgasari began principal photography on February 28, 1962, and wrapped on March 24.

Bulgasari premiered at the Myungbo Theater in Seoul on December 1, 1962. The film received negative reviews from critics, especially because of its unconvincing special effects, direction, and acting. Believed to have disappeared shortly after its release, the film is considered a significant feature in the history of South Korean cinema and one of the most sought-after lost kaiju films. Shin Sang-ok directed a 1985 remake of the film during his abducted into North Korea.

Plot

As Bulgasari is considered a lost film, this synopsis is derived from the review featured in the December 7, 1962 issue of The Chosun Ilbo and a summary at the Korean Movie Database.[2][1] A longer synopsis is featured in the April 1962 issue of Cinefan (p. 130), a pdf of which is also available on the Korean Movie Database.[9]

In feudal Korea, during the late Goryeo Dynasty, an experienced martial artist named Nam Hyeong is slaughtered by traitors. His hatred makes him resurrected as the iron-eating monster, known as Bulgasari, to seek revenge.

Cast

  • Choi Moo-ryong as Nam Hyeong / Bulgasari
  • Um Aing-ran as Nam Lee
  • Gang Mi-ae as Eunjeon Lee
  • Kim Dong-won as the Castellan
  • Lee Up-dong as Seonhye
  • Jo Hang as the division director
  • Choe Seong-ho as Do-Cheol
  • Ji Bang-yeol as the ambassador of Dohwa
  • Park Sun-bong as a gatekeeper
  • No Gang as a gatekeeper
  • Park Il as a strange man
  • Park Kwang-jin as a strange man
  • Park Gyeong-ju as Jeong Seung
  • Sin Dong-hun
  • Jeon Ye-chool
  • Gang Cheol

Cast taken from the Korean Movie Database.[1]

Crew

  • Kim Myeong-je – director, editor
  • Gang Sin-tak – planner
  • Yang Jeong-chun – lighting
  • Won Je-rae – art director
  • Lee Seung-tae – costume designer
  • Lee Kyeong-sun – sound recording
  • Kwon Jinkyu – miniature artist

Personnel taken from the Korean Movie Database.[1][5]

Production

Development

Bulgasari was reported to have begun production on November 26, 1961.[10] The film was inspired by the legendary Korean monster of the same name and heavily influenced by the 1954 kaiju film Godzilla.[3]

Filming

Principal photography began on February 28, 1962, and wrapped on March 24,[11][3] on a budget of roughly ₩3.5 million.[4]

Special effects

Bulgasari was the first South Korean film to use special effects.[8] Two noteworthy special effects sequences caught viewers' attention: a witchcraft performance by the "White Lady" and her ascension into heaven.[3]

Release

Marketing

Bulgasari was promoted as Korea's first film to use special effects in its "40 year history".[12]

Theatrical

Bulgasari premiered at the Myungbo Theater in Seoul on December 1, 1962.[2] The Korean Movie Database indicates the Korean Film Archive owns a document printed on March 26, 1963, suggesting a print of the film was made for North Korean screenings, but it is unclear whether it was ever used.[13]

Critical response

Bulgasari was widely panned upon its release due to ineffective special effects and antiquated direction by Kim Myeong-je.[7] At the time, historical films were the only spectacles worth watching in Korea, and this film was dubbed "third-rate entertainment".[7]

A reviewer for The Chosun Ilbo felt its directing method was outdated, and stated Choi Moo-ryong and Um Aing-ran's acting was "not very good", adding: "it adds boredom to the chorus of breathing in every line through the first part." The reviewer also noted that they could see "the strings hanging from the dragon's head" in one scene.[2]

Preservation

Screenplay

While the film itself is considered lost, the original screenplay is preserved at the Korean Film Archive.[14] However, the screenplay is not accessible by the public.[13]

Remake

Kim Jong-il assigned South Korean filmmaker Shin Sang-ok to direct a remake of the film in 1985, titled Pulgasari.[15][16]

Legacy

Bulgasari is currently one of the most sought-after lost films in the kaiju genre, along with Wasei Kingu Kongu, The Great Buddha Arrival, and The King Kong That Appeared in Edo.[17] It was listed No. 4 on GameRant's "8 Lost Films That Need to be Found".[8]

Notes

References